聊斋之流光情劫（鲁公女）聊斋之侠女田郎（田七郎）聊斋之翁婿斗法（长亭）聊斋之秋月还阳（伍秋月）聊斋之狐仙报恩（小翠）聊斋之古剑幽灵（金生色）
《上帝未死》讲述的是一位名叫乔什·惠顿的年轻人捍卫其对上帝的信仰的故事。乔什是一名大一新生，他的教授告诉学生们“上帝死了”，并要求学生们签署一份关于“上帝死了”的声明才能及格。而乔什拒绝签这份声明，并不得不接受证明“神活着”的挑战。
生化战士面临空前危机,这次他们不仅坠入一连串阴谋与诡计的黑暗之网中,还要面对伙伴背叛的考验,而新登场的敌人更是无比棘手。充满冒险动作的全新故事,华丽炫目的计算机动画场景,将带您再次进入最精彩刺激的生化战士世界。为了建立未来的新家园,六位生化战士必须返回美特吕完成最后的任务,但他们却发现这座昔日繁荣的城市已经笼罩在黑暗之中,空中有千丝万缕的蜘蛛网,成千上万的蜘蛛兽大军在城市中到处横行。当他们正准备对抗蜘蛛兽时,却遭到毒液攻击,并且变身为野兽般的模样,若不实时解毒,将永远变成邪恶的神魔战士。这时他们不仅要对抗蜘蛛兽大军,还要设法拯救被黑暗力量控制的村民,面对重重险恶,高贵的战士们还能坚持"团结,使命,责任"的信念吗?身怀绝技的战士挺身对抗身藏剧毒的敌人,经历这场严酷的考验之后,这些伟大的生化战士将再次开创一页全新的传奇,让他们的英名永远流传。
无敌（陈小春 饰）和丧B（李灿森 饰）是两个无所事事的小混混，他俩平常在商场的VCD专柜打工，插科打诨，悠哉度日。某天两人奉老板之命外出取车，回来的路上撞到一个西装革履的黑帮分子。该男子身上藏有一种最新的生化武器，可以将人类变为强大无比的丧尸。两人阴差阳错将药水灌进男子的嘴里，又载着男子带回了商场。 入夜，商场内鸦雀无声。喝下药水的黑帮分子终于变成了丧尸，四处残害无辜之人，而被他咬过的人也一一变成丧尸的同类。无敌和丧B怎样才能逃脱这些恶魔的追逐呢？
当一个紧张穿越迷上年轻的科学家来拜访他的虚无主义未来的自己,他说他需要放弃梦想成为世界上第一个时间旅行者,或者其他。但当他不会同意这个计划,它变成了一个邪恶的人与自己的战斗——字面上。
唐朝，梅岑山秘色瓷艺人余秀（牛犇饰）为体弱多病的光王李怡（聂远饰）烧制护身观音宝像供奉于五台山。宝像制成时，他捡到一个女婴，于是抱养回家为其取名为莲妹（李纯饰）。人们说，女婴和观音宝像同来，是天意，是观音的人间示现。20年后莲妹长成楚楚动人的少女，乐善好施，慈悲待人，因为养父告诉她，所有的路人或许就是她的亲生父母。人们也说，莲妹善良的品格跟观音菩萨一样充满了慈悲。日本遣唐使慧萼（中泉英雄饰）入唐，在莲妹的帮助下，雨中求请秘色瓷观音座像，终于如愿。慧萼登船启航回日本，途经梅岑山时，海上突起风浪，慧萼和秘色瓷观音像落入海中。前来送行的莲妹纵身入海施救，自己却消失在风浪中。慧萼大悲，却见朵朵莲花顺流而来，将海船团团围住，铺成一片莲花的海洋。慧萼看见莲花中，莲妹冉冉升起，幻化为手持莲花的白衣观音！慧萼顿悟，于是他毅然决定将这座秘色瓷观音座像供奉于梅岑山。从此，普陀山开山，逐渐成为举世闻名的观音道场。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
8月16日 22-23赛季意甲第1轮 尤文图斯VS萨索洛
时范，一个落魄的年轻人。他靠当临时演员、打杂工、替人打群架赚取微薄的收入，生活窘迫。身心俱疲的他怀揣着演员的梦想，对人生有所期待。除了至亲好友，时范并没有可以依靠的地方，他一直坚守着对初恋的挚爱孤军奋战。 这时，时范认识了另一名男子--浩洙。浩洙和时范是对待感情截然不同的人。他怀揣着初恋的痛苦，一个人孤独的生活。邂逅时范后，浩洙带领梦想成为演员的时范登上了华丽的"夜舞台"，成为了清潭洞一名妖娆的男公关，开始了异彩纷呈的新生活……
故事讲述罗家英饰演的富豪华侨，携巨资归国回报家乡，一路上，这位神通广大老好人展现出他千变万化的招数，与涓子饰演的记者，还有郭金杰饰演的工程公司老板，上演各种爆笑桥段。
少年时期初来香港求学的咏春拳一代宗师叶问在参加一次学校组织的英文演讲活动中发现儿时好兄弟于学虎的身影，叶问跟上去一探究竟，于学虎只留下一张纸条示意叶问赶紧逃离学校，叶问隐约觉得有事发生，此时比赛场地突然发生爆炸，众人四处逃窜，校门口家长们被拦在门外。一场匪徒绑架事件突如其来，面对处于危险之中的同学们，和行踪诡异的好兄弟，叶问义无反顾的与歹徒展开搏斗，当匪徒制造绑架事件的阴谋逐渐显露，叶问与匪徒头目的特殊关系也被揭开，叶问该如何坚守心中的正义？面对一场几乎不可能打赢的仗，少年的叶问有着不可预测的命运......