育婴室

元末军阀混战时，曾出现的一支嗜食人肉，尤其是食小儿之肉的“淮右之军”。而紧邻淮河的小镇临塘曾深受其害。当年淮右军被困临塘，一夜之间吃光了镇上婴幼小儿。战乱平息之后，民国年间，临塘镇流行起召唤“婴灵”的巫术，但养婴灵者往往不得善终，而曾经吃幼婴的“淮右之军”后人蒙少晖（朱一龙 饰）误入其镇，一意孤行揭开了镇压邪灵的封印，古镇上开始频频出现恐怖的异象，事件的相关者也一个接一个的死去。似乎有种神秘的力量在守护着以前的某个秘密……

铿锵铁骨

年近三十的吕正直在废品站和爷爷清贫度日，整日期盼能够过上灯红酒绿的生活。鼎盛集团要开发商业新区，看中了废品站地皮并出高价收购此地，吕正直本可以此过上好日子，但遭到了爷爷的顽固阻拦。商业新区的项目将被搁浅，中间人方德胜为利从中做鬼，用计迫使患有眼疾的爷爷签下卖地合同。为了守护爷爷的废品站，无奈之下，吕正直只好踏上求助之路，带着爷爷的信物和一封信前去寻找爷爷的旧时好友齐大福。可初途遇阻，吕正直不幸和神秘人D先生在公共浴室一同摔倒，撞伤了头部导致暂时失忆。碰巧两人此前拿错了对方的储物柜钥匙，待吕正直醒来之时，便穿上了D先生的衣物，西装革履带着银色保险箱出了医院，误打误撞与D先生乌龙调换了身份。吕正直在医院门口遇到了自己好心救助过的女人李孝琳，但已经不认识她了。李孝琳在得知其失忆后便留下了联系方式，表示愿意帮助他找回记忆。而后吕正直对努力生活的单亲妈妈李孝琳产生好感，一同照看李孝琳患有白血病的儿子小宝，二人渐生情愫。可好景不长，吕正直在享受富豪生活的时候也被卷入进几方恶势力的利益争夺中。

教授

故事讲述一位厌世的大学教授被诊断癌症，得知只有6个月的生命后决定抛弃一切伪装，从而改变自己人生的故事。他要求自己尽可能的大胆而自由的生活，并且幽默而从容，不计后果，甚至有点接近疯狂……

不安分的年轻人们

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

合伙人

古东青、霍志远、王子这三个20世纪80年代末的大学生，为了梦想，一心冲在时代变革的风口浪尖，批过服装，盖过楼房，倒过盘条，经历下海大潮、出国热浪等等不同时期。在创业的期间，三人有过成功，有过失败，最后终于在互联网全面扩张的时代抓住机会，分别成为网络游戏、服务网站、智能手机等领域的领军人物。而一路走来，他们的友情、亲情、爱情也不断接受着考验，但三个男人始终没有迷失方向；他们重情重义，携手共进，在他们成功的光环背后，是一段普普通通却又不同寻常的人生。

功夫营救

　　元东（潘元甲 饰）为了救自己的师兄，得知光哥（文东俊 饰）豹哥（任毅 饰）是因为祖传金手而战，为了化解两人的恩怨元东决定与得到金手者决战，元东在积极的备战中刻苦训练，感动光哥豹哥两人决定把自己所学功夫传给元东，最终击败日本拳手。

入侵华尔街

吉姆是一个普通纽约人过着平静的生活，有着一个高薪水的工作和幸福的家庭。突然间，一切都变了，经济崩溃导致吉姆失去所拥有一切。在充满愤怒下，吉姆选择极端的报复以夺回他以前失去的。

她之觉醒第二季

Bhumi have trouble deciding whether to choose desire or duty, meanwhile police deals with the formalities.

女巫1967

"The Witch Burnt Alive" 　　After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have pre...

钻石谜情

Famous model become suspect in case of diamond robbery and homicide, must involve with farm owner who impressed with his part because he believe that she's innocent. Both of them find out about this together, along with breaking the wall of his heart for new fresh love.

魔道祖师Q

以魏无羡少年期、成年期、以及陨灭重回后三个时期为主题，挑选其中可爱、温馨、治愈人心的部分进行编绘，希望热爱《魔道祖师》系列动画，但被正剧的苦闷情节“伤害”的观众朋友们可以得到治愈。

史酷比：快乐万圣节

神秘公司的主角参加水晶湾一年一度的万圣节游行车会，就在这时，南瓜灯恶魔突然出现，打乱了游行车会，主角们决定寻找南瓜灯恶魔的真面目