斯特莱克探案集 第二季

摇滚明星的私生子、曾在阿富汗失去了一条腿的退伍军人科莫兰·斯特莱克（Cormoran Strike），如今开了一家破破烂烂的侦探事务所。大学心理学肄业的罗宾·艾拉科特（Robin Ellacott）偶然来到这间事务所做临时雇员，一下子就喜欢上了这份工作。独腿侦探和能干的助手配合默契，开始解决一桩桩疑点重重的案件……

暗芝居第一季

本片是一部带有浓郁昭和气息的怪谈动画，每集开头均为傍晚黄昏，著名实力派男星津田宽治配音的江湖艺人高声吆喝，招揽顾客，以洋片（紙芝居）的形式讲述一个又一个短小精悍却恐怖阴森的都市怪谈。如新搬入的公寓贴着奇怪符咒、不断能印出发丝的复印机、为了防止被上身而不得不彻夜欢笑的家族、直通地下13层的诡异电梯……每集均在最紧张时刻戛然而止，使观者在恐慌之际又留下无限回味空间，其风格与《新耳袋》和《毛骨悚然撞鬼经》有异曲同工之妙。故做古旧拙朴的画面和风格幽异的片尾曲，更加为这部短剧增色不少。此外，官网还不定期提供短篇小说供爱好者阅读。

新乌龙女校

三个信长

这是一部以武将织田信长为题材的喜剧作品，讲述了被敌人元今川军捉住的影武者在内的3人，为了守护真正的信长，极力主张“我才是信长”的充满搞笑元素的故事。

负担

　　这部纪录片真实再现了德国电影大师沃纳·赫尔佐格（Werner Herzog）用近五年的时间在秘鲁亚马逊热带丛林中艰难拍摄完成震撼世界的名片《陆上行舟》（Fitzcarraldo）的过程。本片记录了这段电影人寻找梦想的过程，但这绝不是一部现今发行电影DVD时几乎必附的幕后花絮纪录片，他没有对影片吹嘘拍马只是忠实纪录影片拍摄时面对的众多不可思议的困难日子以及一个为了电影近乎疯狂的导演。                                                                            　　《陆上行舟》根据真实事件改编，爱尔兰人Fitzcarraldo酷爱歌剧，他想在热带雨林之中建造一个歌剧院然后请意大利男高音卡鲁索（Caruso）来演唱，为了凑到足够的金钱他买下来一块橡胶田做起橡胶生意，为了往来运输他必须弄一条船到雨林之中，在当地印第安土著帮忙之下，他终于把船从一条运河跨山而过运到了另一条河上。就在他兴奋无比之时，却不知土著有自己的打算，他们把船抛弃在河流...

法律与秩序第二十一季

　　NBC宣布重启《法律与秩序》并续订第21季

母与女2016

Interwoven stories of what it is to be a mom seen through the lens of photographer Rigby Gray.

绝世神偷

该片讲述生于怪盗世家的男主郑亦轩，因多年前父亲的意外去世而家道中落，虽然生活在苦闷的现实中，却一心想成为像父亲一样的超级侠盗。郑亦轩与被赶出家门的富二代黑客纪辰组成了搭档，但两人一直做的都是小打小闹的小事件，空有一身绝技无处施展。直到两人遇到了一个身份神秘的美女余夏。经过一番挫折，三人组成了一个新的神偷组合，开启了一个偷盗绝世名画的大行动。然而郑亦轩并不知道这次的行动的背后竟然隐藏着父辈的秘密。

那时风华

电影《那时风华》以塞罕坝机械林场建设为背景，串联起多代人与林场解不开的情缘故事，围绕男女主的爱情故事，展现当年塞罕坝上老一辈造林人的艰难岁月，传递出光荣与梦想、希望与使命的主旋律。

不安分的年轻人们

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

女人们的秘密

以现代日本女性感受到的“生活难”与“焦躁感”，还要面对“什么是生活？、什么是人生的幸福？”为主题，描述4位神秘色彩女性的惊险而浪漫的故事。

黑脑

　　除了一个来无影、去无踪的怪老头——忠叔，佟乐影的男友莫飞似乎对九威并不讨厌，甚至非常感兴趣。反派组织况巴团伙儿，千方百计要得到佟博士的科研成果，围绕着佟乐影带来的科研技术，几方势力展开了明暗博弈……人类脑中的思维、意识，如果可供仪器分析量化，甚至删挪改动，是否会打开潘多拉的魔盒？潦倒的破烂王——九威，一直以来，默默地做着美女博士佟乐影的“隐形守护者”，两个人的社会地位、品味修养、都完全不一样，九威的这份“深情厚谊”没有人可以理解。