西宫硝子（早见沙织 饰）生来患有听觉障碍，要依靠助听器和外界交流，口语发音也因此格外的古怪。小学时，硝子转入了一所新的学校，特殊的生理缺陷让她成为了班上引人注目的独特存在，她因此收获了坚实的友情，却也遭到了以男生石田将也（入野自由 配音）为首的小团体的孤立和排挤。随着时 间的推移，无心或有意的恶作剧渐渐升级，最终演变成为了无法挽回的伤害，硝子永远的消失在了众人的眼前。
故事发生在第二次世界大战刚刚结束之后，一切都是百废待兴的样子。士兵查尔斯（范·强生 Van Johnson 饰）在完成了自己身为一名军人的使命之后，决定留在巴黎，进军文艺界，成为一名作家。在巴黎，查尔斯邂逅了海伦（伊丽莎白·泰勒 Elizabeth Taylor 饰）和玛丽安（唐娜·里德 Donna Reed 饰）姐妹两，很快，查尔斯便和海伦坠入了爱河，两人结为夫妻，并且有了他们爱情的结晶。 虽然感情生活一帆风顺，但查尔斯的事业却一直没有起色，迟迟无法获得成功的他心灰意冷，开始依靠酒精派遣内心的郁闷。某天，酩酊大醉的查尔斯将海伦锁在了门外，海伦因此患上肺炎不幸去世，玛丽安则带走了两人的孩子，查尔斯失去了一切。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
故事发生在1943年，中日战争正处在最为关键的时期。汪伪汉奸高层祸起萧墙，伪清乡委员会指挥长兼调查部部长李士群遭日本人毒杀，其亲信秘书主任戴遂昌侥幸逃生，准备投靠重庆国民政府。鉴于戴掌握大量日本人和汪伪政府的高度机密，中共方面派出特命保卫科长沈英杰（吴健 饰）协助苏城地下武工队试图在途中抓住戴遂昌（朱辉 饰）。与此同时，重庆方面尤其是和汪伪政府勾结的势力决不允许这样一个关键人物落在日本人或中共的手中，他们派出代号乌鸦的苏城特派员顾维民接应戴遂昌。除此之外，日本人、汪伪政权相机而动。 各方势力碰撞在一起，围绕一个关键人物展开明争暗斗……
大学刚毕业的王大流爹不疼娘不爱，命中带衰。在30岁生日当天，无人问津的王大流心情低落，在朋友圈直播“自杀”。前女友薇薇来电，心生希望的大王流刚要去接，却没想到真的发生意外，“自杀”成功。濒死之际，王大流眼前浮现出年幼被欺负、实习被蹂躏，被最好的兄弟骗和年幼丧母等悲催事儿……\r当王大流再次睁眼的时候，一个黑衣男子站在自己的眼前，自己则躺在医院的停尸房里。黑衣人手拿写有王大流生平的“死亡笔记”，自称是死神，让王大流在“死亡确认书”那页上签字，赶紧去为自杀者准备的14层地狱。王大流不信，死神使神通证明了自己的身份，王大流不得不各种辩解自己的“自杀”行为，说着对前女友薇薇电话的念想，求死神放自己一马。死神却说自己也只是个“死神界”的小打工仔，只是管朝阳区这一片的，无权改变什么。就在王大流被逼签字的刹那，女护士林曦的出现让王大流看到了生机。原来死神一直暗恋林曦，却苦于每周“接单”（利用“滴滴死神”软件找到死者，然后让死者在死亡确认书上签字）工作繁重，没时间追求心爱的姑娘。在王大流的百般教唆下，死神与他达成协议：死神去追求林曦，这期间由王大流代理死神。只要王大流能够在约定的时间内完成最后的6单，就让其重生。王大流的代理死神之路就此展开：他不仅经历了神奇的5组死者，帮他们完成了在人间的最后心愿，更在这过程中重新收获了爱情与亲情,重新找到了人生的意义……
有关卡拉OK助手和客人之间关系的情色电影
由开心麻花功勋艺人王成思、陶亮、冯秦川首次搭档主演的喜剧电影《无疯也起浪》目前正式定档2020年8月28日全国院线上映，成为疫情之后唯一一部喜剧电影喜欢开心麻花电影风格和喜剧的朋友自然不会错过《无疯也起浪》。
张向阳1岁的时候母亲病逝，父亲张恒远再婚，向阳跟着奶奶在大伯家长大向阳10岁的时候，奶奶去世，张向阳不得不回到新家。面对与自己生疏淡漠的儿子，张恒远感到非常歉疚，主动亲近向阳，花更多时间陪伴向阳，父子间的奇葩相处笑料不断，向阳也渐渐接受了这个像大孩子一样特立独行的奇葩父亲。