炎炎夏日，琴吹紬（寿美菜子 配音）不久前刚从海外旅行归来，为每个人带去礼物。对于平泽唯（丰崎爱生 配音）来说，海外旅行的记忆还停留在小娃娃的时期，早已模糊不清。好像未做过多思考，小姐妹们一拍即合，紬、唯、秋山澪（日笠阳子 配音）、田井中律（佐藤聪美 配音）聚在某个饮品店，约出了小学妹中野梓（竹达彩奈 配音）。大家决定趁着还能在一起的这段难得时光，来一次记忆深刻的海外毕业旅行。她们找来各种旅行介绍册，聚在一起热情讨论。轻音部难忘的旅行即将展开…… 本片根据かきふらい的漫画原作改编，是该系列动画的OVA版。
为了方便找工作，妈领着7岁的相宇（俞承浩饰）去乡下的外婆家，想把他暂时留在那里。外婆（金亦芬饰）年事已高，不能说话也不识字。而一直生活在城市里的孙子相宇，刚开始无法适应连游戏机、电池都没得卖的乡下生活。他开始蛮横地流露出不满，抱怨这个抱怨那。为了买电池，偷走外婆的银头簪拿去卖；外婆得知孙子想吃炸鸡，却只理解到鸡肉，炖了只鸡给孙子吃，却被生气的相宇踢翻了。 老人家默默包容着孙子的一切，渐渐的，相宇也体会到外婆的良苦用心，适应并喜欢上了乡下生活。
苏怡（胡杏儿饰）患先天性心脏病，身为机师的丈夫亦琛（吴镇宇饰）辞职后陪她到世界各地休养寻医，无奈病情逐渐加重，苏怡悄然离开了亦琛，她不愿心爱的人看见她死时的惨状。亦琛留在英国Manna（米雪饰）处已两年之久，弟弟亦风（吴卓羲饰）中间来过多次，他劝哥哥走出阴霾，投入新的生活。亦琛痛定思痛决定重返工作岗位。亦琛加入到天颂航空skyIette，除了原先几张熟面孔，新同事中还有一流机师顾夏阳（张智霖饰），由于见解相左，二人在工作中产生不少磨擦。夏晨（胡杏儿饰）是名飞机修械员，由于长相酷似苏怡，亦琛把她当妹妹看待。而亦风对夏晨颇有好感，这令兄弟二人之间出现芥蒂......
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
北魏年间，新君登基，时局未稳，游牧民族柔然对大魏虎视眈眈。为牵制柔然，公主和亲北凉，不料被柔然猛将绵尔图设计掳走。绵尔图挟持公主提出让大魏交出十座城池的耻辱条约，因接应公主失败而被问责的花木兰临危受命，力排众议启用死囚慕容狄，和手下一众精英将士组成突袭小队，勇闯幽冥域，巧入云中城，营救公主。割城让地的两日之限在即，突袭小队能否救出公主守护大魏，一切都还未知……
在大火摧毁了位于门房的民宿（和主要收入）后，Alison和Mike开始探索其他维持生计的办法，仔细盘算着生活新篇章，而这可能对鬼魂们的（往生）生活造成巨大影响。
《私钟真面目》是由陈学人执导，黄沾、郑维嘉等主演的一部纪实电影，讲述了香港“私钟妹”的故事。
이상기획 대리 현무(김민기)는 매너의 기본도 모르는 직장인이다. 이에 회사 사장은 직원들의 매너교육을 위해 팀장에게 매너선생님을 고용하라고 지시한다. 그러던 어느 날 갑자기 현무 ...
围棋棋手川田莲(清野菜名饰)由于消极的性格无法赢得比赛。为此烦恼的她，唯一的乐趣就是偶尔被医学生森岛直辉(横浜流星饰)邀请去吃薄煎饼。在这个充满揣度和压力的灰色现代，拥有神奇能力的神秘女子“熊猫小姐”和“饲养员先生”组成最强搭档，接受委托，调查世间的灰色事件，大胆曝光警察和媒体无法接触的“隐藏的真相”……
人类遭逢了名为“空间震”的新型灾害。震撼空间、将一切破坏殆尽的这一灾厄，是由于精灵自临界显现而发生的。为了阻止空间震，使人类免遭灾厄而必须采取的措施，是使用武力歼灭精灵，或者是——“与其约会，使其娇羞”！ 让精灵娇羞，再通过“亲吻”即可封印其力量——拥有这种能力的高中生·五河士道。为了人类的和平，也为了拯救精灵们——士道在和她们的“约会”中来回奔走。对士道敞开心扉的精灵·十香、四糸乃、琴里、耶俱矢、夕弦、美九，为歼灭精灵而行动的AST，企图利用精灵的DEM，尝试与精灵对话的拉塔托斯克，以及，需要令其娇羞的新精灵——将这一切全部卷入，新的战争约会开始了——
KIM'S CONVENIENCE is the funny, heartfelt story of The Kims, a Korean-Canadian family, running a convenience store in downtown Toronto.