1949年，以梦珊（戴皎倩饰）、曲秀（田玲饰）、常缨（王彤饰）为代表的女兵们怀着满腔热血奔赴边疆，在那里认识了一群独立营的战士，共同携手投入热火朝天的大生产运动。能歌善舞的梦珊把爱情看得非常浪漫，高雅、清纯的她对众多的追求者都不屑一顾，唯独钟情于独立营的营长郑汉（罗钢饰），以此同时，她的好姐妹曲秀也和她一样同时爱上了高大英勇的郑汉，但是郑汉却对她们没有感觉，迫于那个年代的羞涩含蓄，孤傲的梦珊无奈地退出了这场感情纠葛，却因一次演出任务中冲进火海抢救平民的南政委而感动，为此她甘心一辈子去守候着这位左腿瘫痪的首长，但内心深处仍然固守着对郑营长的纯纯的爱；曲秀便恳求和她同道而来的姐妹常缨牵针引线，不想弄巧成拙，常缨和郑营长在长期的正面接触中渐渐真挚的相爱了，他们共同抚养着战争遗孤。一次意外让郑汉不能性事，给他们两人留下了永远的遗憾。真诚果敢的曲秀万念俱灰，无奈地嫁给了热烈追求她的战斗英雄胡子连长，怀孕后得知自己有心脏病，却执着地要为这块土地生下第一个孩子，她不幸难产而带着遗憾离开人世…热情直爽的刘淑爱，为了扎根石河滩主动跟胡子连长再次成家立业，逐渐抚平了他的丧妻之痛。若乾年以后，这些远嫁天山的建设兵团女战士共同燃烧了一个新时代的梦想和希望。
故事发生在阳光和煦风景壮美的普吉岛，德（普提蓬·阿萨拉塔纳功BillkinPutthipongAssaratanakul饰）万万没有想到的是，自己竟然在这里和多年未曾联系的幼时好友欧儿（克里特·安努艾德奇康KritAmnuaydechkorn饰）重逢了，两人都打算考当地的一所语言学校。曾经，他们因为一场误会而在内心里将彼此拉黑，如今，这意外的重逢能否使两人的友情恢复如初呢？德提出帮助欧儿补习，在此过程里，脱离了从前的幼稚和青涩的两人都发现，他们的内心里有些说不清道不明的感情正在蠢蠢欲动。然而，德一直都在追求班上另一个女生，长达两年之久，而欧儿也爱慕着另外一个男生，他们都选择将这份悸动埋藏在心底。
长久以来，人类与吸血鬼的战斗从未停息。很多年之后，人类为了生存，寄居于教会严密控制的城市之中，并且训练了猎魔教士来保护自己。在结束了与吸血鬼的战争之后，猎魔教士的队伍被解散，并逐渐被世人所遗忘。曾在战时立下汗马功勋的传奇猎魔教士（保罗•贝坦尼Paul Bettany 饰）已隐匿多年，可是忽然造访的来自奥古斯丁的警长希克斯（凯姆•吉甘戴 Cam Gigandet 饰）却给他带来一个不好的消息，远在荒远的亲人受到吸血鬼的攻击，并且掳走了他的侄女露西。为了救出亲人，教士不惜违背主教们的意志，开始踏上自己的拯救之旅。此时，由于违背了主教的意志，主教派出四名猎魔教士对传奇教士展开追捕…… 本片改编自在美国广受好评的韩国漫画家邢民友的漫画作品《Priest》。
张艺谋最昂贵的电影，耗资10亿元打造，却成了他评分最低的电影#长城
电影《长城》讲述了在古代，一支中国精英部队为保卫人类，在举世闻名的长城上与怪兽饕餮进行生死决战的故事。欧洲雇佣军威廉（马特·达蒙 Matt Damon 饰）与同伴佩罗·托瓦尔（佩德罗·帕斯卡 Pedro Pascal 饰）不远万里来到中国盗取火药配方，意外发现了长城是为抵御60年降临人间一次的饕餮所建。长城内部机关重重，宛如“陆上航母”，由无影禁军世代镇守。在这里，威廉见识了饕餮的凶残，也见证了无影禁军的精锐和勇敢，并被这群战士之间的信任和牺牲所感动，义无反顾地加入到了共同守护人类的战斗当中。
15世纪初，俄罗斯动荡时期。著名圣像画家安德烈·卢布廖夫（安纳托里·索洛尼岑 Anatoli Solonitsyn饰）在大公的邀请下前往莫斯科为教堂作画，受到了贵族式的服务与对待。然而，卢布廖夫却身处在一个饱受鞑靼人铁蹄践踏和充满灾难残杀的悲惨时代。目睹了黎民百姓在大公暴政下的水深火热，卢布廖夫毅然离开教堂返回修道院。不久，卢布廖夫被迫再度回到莫斯科进行圣像创作。然而面对居民被无辜的残杀，教堂在战火中被无情的摧毁，卢布廖夫再次陷入艺术与现实巨大反差的质疑之中，拒绝继续作画。1423年，鞑靼人的军队终于被赶出俄罗斯的大地。在经历了炮火、鲜血的锤炼洗礼后的卢布廖夫，终于完成了传世名作《三位一体》的创作。 由苏联电影大师安德烈·塔科夫斯基执导的旷世史诗巨作《安德烈·卢布廖夫》，用塔式特有的诗化电影语言和如历史壁画一般的浓重画笔，呈现了15世纪俄罗斯著名圣像画家安德烈·卢布廖夫漂泊与抉择的一生。本片荣获1969年第22届戛纳电影节费比西奖。©豆瓣
这部由三大艾美奖获奖演员JohnWells、AnnBiderman和ChrisChulack联袂主演的罪案剧，以独特的视角讲述了发生在洛杉矶警察局的警察故事。从风光秀丽的马利布（Malibu）海滩，到错综复杂的东洛杉矶街道，到处都活跃着他们的身影－－他们要与犯罪分子作斗争，要与受害人打交道，还要求得家人的理解和支持。MichaelCudlitz（"ARiverRunsThroughIt"）扮演经验丰富的资深警察JohnCooper，奉命指导警队新秀BenSherman（BenjaminMcKenzie,"TheO.C."）。Cooper忠诚、严肃、务实、做事必求结果的工作态度，让浮躁的Sherman怀疑自己是否能当一名合格的警察。女警探LydiaAdams（ReginaKing，"Ray,""JerryMaguire"）与母亲同住，照顾母亲是她现在的首要任务。她的搭挡RussellClarke（TomEverettScott,"BoilerRoom"）是个婚姻不幸的男人，家里还养着三个孩子。Daniel"Sal"Salinger警探（MichaelMcGrady,"TheThinRedLine"）是刑事侦探组的小头目，NateMoretta警探（KevinAlejandro,"Drive,""UglyBetty"）和SammyBryant（ShawnHatosy,"AlphaDog"）警探都听从他的指挥。巡警ChickieBrown（ArijaBareikis,"CrossingJordan"）是个单身母亲，梦想着有朝一日能成为特种武器和战术部队（SWAT）的第一位女性成员。
你这道坎，我还能跨过去吗？笨嘴拙舌的小地产中介关明星（张子贤 饰）遇到了能力超群的金牌女中介向青（李晓峰 饰）。两人为了业绩争得“头破血流”成为死敌，却在接触中发现了彼此破碎的一面。同为异乡打工人，同样的窘迫与无奈，让两人不禁惺惺相惜。但在爱情越来越脆弱的时代，是不是再坚定的爱情，在现实面前都会被碰得粉碎……
一个现代王国Illyria的公主Sam，性格叛逆，是王位的第二继承人。正当Sam对王位的漠不关心值达到人生新高时，她惊讶地发现自己有超能力，而且属于一个长期以来偷偷摸摸保护全国和平的秘密组织。影片聚焦Sam的历险：她加入了这个属于最高机密的训练项目，目的是训练皇室的次子女们来肩负拯救世界的任务。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
文龙是岭南武术学校世家出身的教练。由于父亲双腿瘫痪的原因，学校的大小事情就都落在文龙的身上。一天，父亲很郑重地把文龙叫到自己的跟前，当着从香港来的唐叔的面，让文龙即刻动身，随唐叔一起赴香港找妈妈。在父亲经常回忆的故事里，妈妈不是早已经去世了吗？在文龙再三的追问下，父亲说出了一段埋藏在记忆深处不为人知的故事。 原来，早些年爷爷凭借一身武功，闯荡香港，创办武馆，广收弟子，传授武功。1979年那段时间，父亲和同在爷爷手下练习武功的唐叔结为好友。此时，父亲出手搭救了一名被英军士兵欺负的歌女，并与这位叫安雯的歌女产生了爱情。等父亲与安雯到了谈婚论嫁的时候，爷爷死活不肯接受一个歌女进门。为此，父亲只好和安雯寄居在外。虽然后来安雯给爷爷添了一个孙子，但还是不肯接受曾经做过歌女的安雯。无奈之下，安雯离开了父亲，直到父亲搬回了内地，一直没有安雯的音信。 如今，唐叔从香...
战国乱世，杀伐无度。巾帼不让须眉的吕乐（陈乔恩 饰）决心寻找一位英雄依傍，而恐武豪爽的云狂（明道 饰）无疑成为令她倾心的英雄。薛国贵族云狂刺杀大王，逃跑路上得到吕乐搭救，他更留下与之定下终身的信物。天下大乱，荒淫无道，逼反了另一位英雄柳海天（罗晋 饰），全家被杀让他与当今帝王有不共戴天之仇，而一向重义气的豪梁气魄更让天下英雄集结在海天麾下，由此成为乱世军阀中不可低估的一支力量。另一方面，高傲的云狂凭借天赐神力和高超武功在连番战争中声名鹊起，天下霸业近在咫尺。 男人的战场，女人本渺小可微，但吕乐却在天下最大的两位英雄之间谱写了自己的巾帼传奇……
被封印的魔王再度苏醒，强盗法鲁格得知小芝麻是彻底解除封印的关键后派出手下四处搜寻，小芝麻能否逃过一劫？为了帮助好朋友，冒险归来的阿里巴巴再度踏上了冒险的旅程，阴云笼罩着大地，此次在前方等待他的将会是什么？