A fast-paced, high concept thriller following a 20 something layabout, who over the course of a day, is forced to make his way across an increasingly strange and sinister London, in order to save his kidnapped girlfriend.@www.molikan.com
《女孩成长记 第二季》是由莱德尔·斯特朗执导，罗温·布兰查德/Ben Savage/塞布丽娜·卡彭特/Peyton Meyer/丹妮拉·费舍等主演的家庭喜剧，于2015-05-12(美国)首播 。
FOX已续订《沉睡谷》第三季。
这是一座美丽而富饶的南方海滨城市，在这座城市里工作和生活着一大批从遥远而贫穷的山区来南方淘金的打工妹。从离开故乡的那一天起，她们就把自己全部的理想和希望寄托在这片美丽富饶的土地上… 然而一场无情的大火，吞噬了80多个年轻的生命，造成了巨大的经济损失和极坏的社会影响。工厂负责人因此被判刑，与此有关的各级领导被追究责任，主管全市生产安全的副市长陈天雄被降职为副区长。 这场灾难的发生使陈天雄的心灵受到了极大的震撼，他认识到灾难发生的原因是人们平时忽视安全防范，责任在于领导的麻痹和侥幸。于是，他忍辱负重来到了火灾发生所在区，在火灾的废墟上成立了"安全生产委员会"，对全区开始全面整顿。对于存在火灾隐患的企业、单位实施限期整改或停产、停业的处理。他们的行为受到了来自各方的阻力：区有关领导不理解，企业主的反对，甚至是上级领导的干扰。为使打工妹的生命不再受到伤害，为使众多的家庭不再因为灾难的发生而忍受终生的痛苦，为了一方百姓的生活平安，陈天雄和同事们与来自各方的阻挠、以及各种邪恶势力展开了斗争。妻子因此而离开了他，儿子险遭黑社会绑架，自己被上级调离工作岗位。面对种种压力，陈天雄依然毫不动摇，在他心中只有一个目的：为官一任，保一方百姓平安，再也不能看到无辜生命的断送，要唤醒人们的觉悟，珍爱自己的生命，杜绝人为灾难的发生。为了这个理想和责任，在最后扑救火灾的战斗中，陈天雄亲临火场指挥，身负重伤，而与他并肩战斗20余载的亲密战友、消防大队长张振旗，为了保护国家财产、抢救被大火围困的人们壮烈牺牲……
新年前夜，神秘杀手在美国市中心的一栋高层，大规模远程枪杀狂欢的人群。29人死亡，枪枪毙命，案发现场找不到任何弹壳、指纹等证物，杀手毫无踪迹。三天后，杀手又在大型购物中心大开杀戒，数十位市民和安保人员中弹身亡，一组特警队员也被杀手用手榴弹团灭。
これは、ドラマシャワー枠とKADOKAWAのBLドラマレーベル「トゥンク」による2023年度コラボ企画第1弾。本作では、お互いに初恋・初体験の相手でありながらも、10年前の出来事がきっかけで引き裂かれてしまった2人が、再び心を通わせるまでが描かれる。10年ぶりにアメリカから帰国した滝沢和真は、新入社員として入った広告代理店で、中学時代の親友かつ初めての相手である石原蓮と再会。思いがけない展開に盛り上がる和真だが、なぜか蓮はそっけない態度で中学時代の話題を避けようとする。そんな中、ある夜2人は再び関係を持ってしまう。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
与日常四周格格不入却仍不想陷于自怜自伤的话，谈一场恋爱如何？可惜这年头轰轰烈烈不轮到他们，迂回兜转最后甘于暧昧缠绵，一头栽进的迷雾抹不掉自恋两字？两颗寂寞的心相逢于波图一夜，淡淡的连结共享了莫名感动的时刻；眼前只有丝丝入扣的影像，背后也许尚勾起似有还无的回忆，之后你记得也好，最好忘掉。比《情留半天》更飘逸，较《有人喜欢蓝》更浪荡。真实本就在万千一瞬之间消逝，有情人能把握的，说是时间的结晶，到头来只能是如诗的升华。
小城突然发生一场命案，青年邵兵饰演的刑警负责调查。经过仔细排查、走访，事件真相渐渐露出水面，他却突然坠楼……
小茶（姜梦茹 饰）、雨烟（谢容儿 饰）、黛丝（薇拉贝儿 饰）和扣子（陈嘉敏 饰）是同在巴洛克艺术学院里学习的好友兼室友，彼此之间感情十分要好。一天，小茶突然失踪音信全无，在老师的组织和帮助之下，雨烟等室友们开始寻找小茶的下落，没想到却牵扯出了一个十年前发生在校园里的恐怖传说。一个名为玉子（岳文龙 饰）的美术老师的身影渐渐浮出水面，虽然十年前她就已经不幸死去，但她的身影现如今还常常在校园中徘徊。在寻找小茶的过程中，黛丝、扣子等人亦接二连三的失去了踪迹，最后只剩下雨烟一人苦苦追查，离可怕的真相越来越近。©豆瓣
乔治娜·罗德里格斯是一位母亲、网红和商人，也是#C罗#克里斯蒂亚诺·罗纳尔多的伴侣。本片对她的日常生活进行了深入且感性的刻画。