恐惧源自内心。《惊异世纪》内的八个单元故事，分别围绕着医院、豪华大宅、大学教授、心理学家与催眠师、神秘老人、连环凶杀桉、旧相机镜头以及高级酒店，各个单元故事却又以一个连续故事串连起来。配以电影级数的ARRI摄影机拍摄，加强画面震撼，挑战观众胆量！更重要的是，这个恐怖、惊栗世界以外，背后都希望带出警世意义和反省意味。
1927年秋收起义失败后，毛泽东率工农革命军第一军第一师向南转移，途中遭到敌人的袭击，部队损失惨重。随后在决定部队去向的问题上，领导内部产生了很大分歧，最后毛泽东的意见得到大多数同志的支持，部队继续向南转移。到达永新县三湾村后，毛泽东对剩余部队进行了及时的改编，确立了党对军队的绝对领导。为建立巩固的革命根据地，扩大革命队伍，毛泽东提出应争取袁文才和王佐等地方武装势力。在此问题上，余洒度等第一批黄埔军校毕业的军官又与毛泽东产生了分歧，余洒度等人以去省里汇报为名逃离井冈山。毛泽东以诚相待，终于取得了袁文才的信任，毛泽东的部队驻进了茅坪，毛泽东由此找到了知音贺子珍。为进一步巩固革命根据地，毛泽东一方面继续争取王佐，一方面派何长工去省委汇报，寻找南昌起义失败后南下的朱德部队。很快王佐接受改编，加入了工人农革命军，壮大的队伍初战告捷一举拿下了新城。但在此时，省...
影片改编自1954年同名畅销小说《无名战士》，讲述了一队芬兰士兵在苏芬战争中的故事。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
オレは約1年ぶりに京都の実家に帰ってきた。大学は出たが、子供の頃から好きだった映画の世界に進みたいと思いながら、フリーター生活を送っている。 母は中学生の頃、父は3年前に亡くなった。父は男手一つで子供たちを必死で育てた。父が残した家を姉が守ってくれていたのだが、結婚が決まり、更に夫の海外出張が決まったため、姉はこの家を売ろうと思うと告げた。オレは父の遺品から「思いでの記」と題されたノートを見つけた。そこにはオヤジの恋の思い出が記されていた。 23歳の父。若い頃から映画が大好きな父は、 ある日映画館で勇さんという年長の男性に体を触られる。慌てて映画館を出てきた父を追いかけてきた勇さんと出会い、初めて男性との接触を体験した。その後、父は勇さんを誘って歩く中、手を繋ごうとするが、勇さんは周囲の目を気にしそれを跳ね除ける。父の恋は儚く散った。 それから父は行...
一场噩梦醒来，他恍然发现自己竟然躺在别人媳妇的床上，更多谜团也随之浮现，百思不得解，哭笑不得中苦苦追查，而真相浮出的刹那间，他却彻底惊呆了……
影片敘述了一對流浪街頭的窮孩子，生活在社會的底層，卻有著人類善良同情的天性。成為江家班弟子後，他經常利用小聰明來輔助說明大家，儘管身上也有一些惡習，但他的身世卻博得了鄧律師的同情，並向他伸出援助之手，面對黑幫勢力，他們團結一致，不畏強暴，最終將他們一網打盡，此時人們驚奇地發現原來她是一個女孩子。
本片讲述了街溜子大楠（郑胖 饰）和发小儿明扬（李超龙 饰），还有女孩双双（哈森 饰）三人在机缘巧合下拥有了一个天降“老爹”后发生的一系列啼笑皆非却不乏感动的故事。
深山古刹，隐居着一位武功盖世的老和尚休休大师和七小罗汉，酷好“嘻哈”的老和尚用“多”、“来”、“咪”、“发”、“嗦”、“拉”、“西”分别为七个小徒弟命名，并用其独创的音律心法，传授其少林武功——“七星罗汉阵”。突有一日，师傅不辞而别神秘无踪，徒留七小罗汉镇守山门。此时，四个奔着西楚霸王衣冠冢而来的“黑客”正在寺外虎视眈眈——比“古惑仔”更大牌的黑帮大佬九纹龙；比“古墓丽影”更性感的蛇蝎美女小巫；比“金刚”更威猛的打手保镖大傻；比“007”装备更咋舌的科学怪人师爷。他们手持藏宝地图，化妆成游客意欲潜入古庙，盗取珍宝。危机重重，险象环生。“黑客四人”组遭遇七小罗汉，是福？是祸？
动力全开！地球的未来由我们来守护！！这是一场围绕地球自转能量所产生的争夺战。来自太空中的神秘敌人-黑暗侵略者，想得到地球因自转而产生的能量：地球能源。而大地先锋联盟是为了保护地球能源，维护地球的自然生态和平而设立的组织。为了保护地球，阻止黑暗侵略者的野心，大地先锋联盟派出了一对双胞胎兄弟进行抗争。为了地球，这支队伍不断壮大，越来越多的小伙伴加入了地球先锋队的组织中。在保护地球的过程中，也逐渐开始了解地球，熟悉地球。了解到世界各地的自然美丽和人文景观。从单纯的执行任务，到内心深处开始热爱这个我们所依赖的...
在川西阿坝自然风景中，一个美丽的舞者韩湘子为了寻找出走的自闭症弟弟张晏，偶遇被陷害而不得不跑路的ptp公司经理李浩二人一路寻找弟弟，同时又要躲避追杀和弄清事实真相。