《猩红山》是由Netflix制作的恐怖悬疑剧集，片中大胆的侦探色彩中夹杂着神秘和恐怖的元素。故事开始于旅游业的商人卢带着未婚妻维和继子宝宝贝来到家族财产所在的红花营，这里是一个新的度假胜地，他们打算在红花营度过宁静的假期，但很快他们发现卷入了一起谋杀案调查，一家三口逐渐陷入秘密和长期阴谋的面纱。埋藏在这片神奇土地上的邪恶秘密又被逐渐挖掘出来……
M就是凶手 M - Eine Stadt sucht einen Mörder[电影解说]
一名针对小女孩作案的连环杀手（Peter Lorre 饰）出没，城中人心惶惶。警察全体出动，频繁突击检查。黑帮首领（Gustaf Gründgens 饰）因生意受到严重影响，决定利用乞丐的隐蔽性布下天罗地网。卖气球的盲丐（Georg John 饰）通过《在妖王宫中》的口哨声辨出了杀手，他的同伙（Carl Balhaus 饰）趁机将“Mörder”的首字母“M”标记在其背上。虽然警方锁定了杀手的住处，但杀手被乞丐围困于商业大厦，成了瓮中之鳖。深夜，在黑帮私设的法庭上，杀手会为自己作出怎样的辩护？
落魄经纪人黄伯伦（夏雨 饰）来到美国洛杉矶寻找一位失踪艺人（杨紫 饰）不幸滞留在美国，却意外地成为了五名不同肤色的美国萌娃的爸爸。黄伯伦一边要继续寻找失踪艺人，一边还要照顾5个青春期的孩子。在经历一系列波折之后，这个不负责任的“临时奶爸”却逐渐成长为一个真正的好爸爸，得到了他人生的二次成长。
张灏（尼坤饰）从小在国外长大，为了念大学，他回到了国内。没过多久，个性开朗独立的张灏便结识了罗曼（徐璐饰）和李修齐（蒋劲夫饰）等一干有趣的朋友们，几人组建了一支校园乐队，酒吧老板丁玲（朱丹饰）为他们提供了绝好的演出机会。虽然英俊帅气的张灏在女生中人气极高，但在他的内心里，于旅行中邂逅的女孩舒晴（于文文饰）占据了十分重要的位，然而，当张灏与舒晴重逢之时，舒晴的冷淡和拒绝让张灏伤透了心。之后，张灏和曾是死对头的罗曼越走越近，两人之间渐渐产生了真挚的感情，与此同时，李修齐亦发现，罗曼早就在不知不觉间偷走了自己的心。
孙膑是鬼谷子的徒弟，为了下山，和鬼谷子的其他徒弟进行了一系列的斗争，最后孙膑运用自己的智慧提前下山，下山后的孙膑为魏王服务，他接受魏王的命令，训练一队女兵。但是在训练的过程中，碰到了阻碍，魏王的爱妃和侍女不配合孙膑的训练，孙膑为了树立威信，斩杀了两人。魏王知道孙膑斩杀了自己的爱妃，非常的生气，要治孙膑的罪。孙膑却以将在外，君命有所不受，君无戏言这两个理由来回答魏王，无奈魏王没有治他的罪。那时的庞涓已经在魏国混的不错了，但他嫉妒孙膑的才华，怕孙膑抢了自己的风头，于是设计孙膑，孙膑被砍去双腿。后来，孙膑和自己的其他师兄弟，利用鬼谷子遗留下来的阵法，打败了庞涓。逃跑的庞涓又误中了自己设下的陷阱。最终，庞涓自尝恶果，被自己布下的弓箭手射死，实现了自己曾经立下的如有违誓言，甘受乱箭穿心之苦的誓言
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
中国西南、与世隔绝、群山环抱中有个寨子，是个人皆长寿、规矩自成之地，清时皇帝赐名“长寿镇”。某日突爆传染病，地方官派医生（任达华 饰）前往诊治，他在镇子外发现奄奄一息的牛结实（黄渤 饰）。进寨后，往日温厚的村民一反常态，不仅对牛结实拒施援手、避若瘟疫，更迁怒于医生多 管闲事，老镇长（马精武 饰）亲自带着长寿镇医生（苏有朋 饰）和接生婆（梁静 饰）、油漆匠，老族长等人千万百计的阻挠医生对牛结实的救援，牛结实最终没能被救活，医生也找不到此人暴毙的原因。镇民们对医生的不欢迎不合作态度，令医生很沮丧，正当他准备离开的时候，无意中发现了一个被全镇民众一起隐藏在山崖上的一个秘密，带着重重疑惑医生决定暗中走访长寿镇，直到他偶遇一个男孩，长寿镇迷案的真相才一步步揭开…… 该片改编自陈铁军的中篇小说《儿戏杀人》。
4月23日 21-22赛季法甲第34轮 里昂VS蒙彼利埃
故事改编自安东尼·格里科(Anthony Grieco)原著剧本，讲述为了挽救一家精品出版社，一位雄心勃勃的年轻编辑(普拉扎饰)与一位作家(凯恩饰)上演了一场狂野的售书之旅。而这名作家一直只是想与苏格兰威士忌、雪茄与虎斑猫过自己的日子。
萧炎为唤醒老师药老，来到帝都参加炼药师大会，却因过人实力而被意图不轨的敌人暗算。危急关头，萧炎力挽狂澜成功夺冠，维护了加玛帝国荣誉。解开心结的萧炎，迎接即将到来的三年之约……
孙悟空大闹天宫，天蓬与之交战打成平手，孙悟空被压五指山后，天蓬元帅领命下界击杀孙悟空以绝后患在人间的天蓬巧遇捉妖师宝儿与她的捉妖团，几人一行上路寻找五指山，过程一波三折，天蓬大起大落，历尽劫难后悟得大爱，终成长为大天蓬。