故事发生在1973年的意大利那不勒斯，佩皮诺（路易基·卡塔尼 Luigi Catani 饰）是一个生活在那里的十岁男孩。佩皮诺生活在一个并不幸福的家庭之中，父亲在外面沾花惹草，母亲在家中以泪洗面。最终，佩皮诺无法忍受家里萧条的气氛，于是决定离家出走投奔自己的叔叔萨尔瓦多（利贝罗·德·瑞恩佐 Libero De Rienzo 饰）和婶婶提提娜（克里斯蒂安娜·卡波通蒂 Cristiana Capotondi 饰）。 萨尔瓦多和提提娜都是信奉自由至上的嬉皮士，在两人的带领下，佩皮诺领略了各种舞会派对的热闹以及欢乐，而堂哥杰纳罗（文森佐·内莫拉托 Vincenzo Nemolato 饰）则更是成为了佩皮诺的人生挚友。不幸的事，在一场车祸中，杰纳罗意外丧生。
又是一年春节临近，灰太狼（张琳 配音）的心中却感受不到半点喜悦。反倒是无比悲凉，老婆红太狼（赵娜 配音）身怀六甲，小灰灰（梁颖 配音）日渐长大，嗷嗷待哺。偏偏灰太狼逮羊的业绩太差，狼堡因此遭到强拆。种种变故，让这个四口之家的顶梁柱叫苦不迭。为了扭转局势，灰太狼带领老婆孩子向羊村开始了绝地大反攻。与此同时，青青草原迎来了不速之客——来自月球的兔小弟。从他的口中，羊羊们得知原本为五彩斑斓的糖果所包围的月球被邪恶的苦瓜大王所占领，而喜羊羊（祖丽晴 配音）更知晓了关于父母的一切。为了找回美丽的糖果世界，羊羊们
Rural love story continues in Yaem Yasothorn 2, the sequel to the hit comedy "Yaem Yasothon" directed by popular comedian turned director Mum Jokmok. The story continues after the marriage of Yaem and Joey when the couple has a beautiful daughter and Ya
Flight42wasonitsway,whenitcomesacrossanunidentifiablestorm.Realizingtheymustgothrough,findthemselvesinFrance,1940,WorldwarII.Ayoungsoldier(RobbieKay)tellsthemtheyareinthemiddleofawarzone.Dodgingbulletsandbombstheflightwillattempttomakeitbacktomodernday,withoutchanginghistorytoomuch.
这是一个少女心满满的童话故事，堂庭国的公主红铃，为了帮助天鹅王子找回圣羽，和乐游国的公主桃茜一起，经历各种险境，最终实现了她们的承诺。她们不仅找回了圣羽，还为象神大陆上两国之间的和平做出了巨大的努力。
辽沈战役期间，解放军营长高大山（孙红雷饰）率部救下农家女秋英（陈小艺饰），后来秋英寻亲来到部队，与高结为夫妻。二十年后，高大山升任守备区司令，女儿高敏（孙杨饰）参军，与一位排长相恋，被秋英棒打鸳鸯，最终高敏嫁给了高大山的老战友陈刚（李玉峰饰）之子陈建国。强扭的瓜不甜，不久二人分手。儿子高权（邢佳栋饰）自幼顽劣，高大山把他送到部队，后来因公殉职。次子高岭（高冰饰）闻讯哥哥牺牲，毅然放弃了报考较舒适的文艺团体，走上了哥哥曾经战斗过的哨位。时势的变迁和家庭的变故让高大山夫妇感慨万千，随着守备区编制的撤消，高大山也解甲归田，他终于回到了魂牵梦绕的家乡......
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
天赋异禀的六扇门女捕快袁今夏（谭松韵 饰）因为一桩案件和性情狠辣的锦衣卫陆绎（任嘉伦 饰）结下梁子，今夏本以为此生与他再无交集，奈何冤家路窄。朝廷十万两修河款不翼而飞，今夏奉命协助陆绎一起下扬州查案，替朝廷找回丢失的官银。本是道不同不相为谋，却因惊天密案联手。两人从势同水火到刮目相看再到情难自已，命运的齿轮从此旋转在一起。然而事与愿违，今夏竟是当年夏言案的遗孤，背负家族血仇的她与陆绎之间横生了无法跨越的鸿沟。最后，两个有情人历经苦难，为救百姓、抗倭寇、锄奸佞，放下家族仇怨，联手对敌，冲破世俗枷锁，勇敢地走到了一起。
32岁的梁宽（郑丹瑞 饰）结婚七年，但回首婚姻生活，他与妻子Ann（郑裕玲 饰）之间似乎只有无止尽的摩擦，同时在事业出色的妻子笼罩之下，梁宽的自卑感日日囤积。于是乎，决定找寻男性人生的梁宽与Ann协议分居，进入了离婚的前奏。 刚刚成为半自由身的梁宽便和同事的情人Cora（邓萃雯 饰）因误会而在Ann面前同处一室，暧昧虽有，但梁宽却未越雷池。不久公司新到一位强硬上司——林太（钟楚红 饰），梁宽等人在林太的铁腕下倍感职业压力，所幸梁宽工作颇有建树与林太之间亦培养出了微妙的感情，梁宽小男人剪不断理还乱的私人生活还未从与林太的暧昧中脱清关系，又被昔日的女友Jeney（李美凤 饰）找上门来，梁宽出于好心将其收留，却不知自己的妻子Ann在离开他后事业走向了低谷……
故事发生在一个小山村里，这是一个原本幸福美满的四口之家，却被一场突如其来的车祸带进了痛苦的深渊，父亲在车祸中丧生，瘦弱的母亲不得不挑起养家的重担，独自一人抚养尚且年幼的两个儿子，然而噩运并没有完全离开，大儿子的突然失踪给这个原本就支离破碎的家庭带来更大的冲击，面对越来越艰难的生活，母亲该如何继续？ 这是一个主旋律而又特别感人的母爱艺术电影，一个伟大的母亲为了孩子守了一辈子寡，拒绝了原本可以属于她的幸福和爱情，为了孩子付出了所有的爱和自己的生命。《我的母亲》以一位单身妈妈艰辛地独自抚养自己的孩子为主线，引发的一系列细腻波折的情感故事。该片刻画坚强无私的母爱，这是人世间最伟大的感情！无论生活多么艰难困苦，总会有一个人为我们撑起一片天，那就是我们的母亲。