电影《玄笔录前传》由玄幻漫画《大唐玄笔录》的核心内容改编而来，讲述高冷捉妖师吴小邪、呆萌和尚无欲与古灵精怪的黑灵儿等人身负神秘使命，开启了一段光怪陆离的捉妖之旅的故事。
A fast-paced, high concept thriller following a 20 something layabout, who over the course of a day, is forced to make his way across an increasingly strange and sinister London, in order to save his kidnapped girlfriend.@www.molikan.com
中国明代传奇作品。作者佚名。据流传于潮汕、闽南的陈三、五娘故事改编。叙述泉州人陈三（陈伯卿）送兄陈伯贤赴广南任所，路经潮州，在元宵灯市与五娘（黄碧琚）邂逅，互相爱慕。黄之父母已将五娘许配豪富林大，下聘之日，五娘踏坏聘礼，赶走媒人。翌年，陈三重游潮州，两人再遇，五娘投荔枝订情。陈三乔装磨镜匠，打破宝镜，卖身黄家为奴。在婢女益春促使下，两人终成连理，并相偕私奔。陈三被捕入狱，幸得其兄相助，与五娘团聚。此剧带有鲜明的叛逆封建礼教色彩，讴歌男女自由婚姻，为封建卫道者所不容，明、清两代一再遭到禁演。
影片主要讲述了范妹锁，白手起家办学，30年百折不挠、坚守承诺的回乡大学生；半生奉献，收获爱情、收获希望，获得“全国教书育人楷模”称号的山村教师。浓缩主人公艰辛历程，故事真实感人给人启迪的故事。
出品单位:北京嘉禾世纪影视文化有限公司一个受屈农民疙瘩为了澄清不白之冤，上省城找官告状。不得其门的情况下，接受捡破烂的建议，在街上奔走喊冤，以期引起媒体的介入。但不幸的是他不仅未能如愿地被媒体曝光，反而进入了生活窘困的怪圈。最终，疙瘩走入了行乞人的队伍，忘记了来城市的目的……
中年华裔妇女艾玛忍受不了枯燥乏味的婚姻生活，决定搬去洛杉矶和同志儿子艾略特小住。艾略特在一家中餐馆担任主厨，感情关系平淡无味。长久的疏远让母子更像陌生人，但这又是他们最需要彼此依靠的时候。通过食材两人慢慢发展出相濡以沫的了解，艾玛也开始认识包括乔治‧武井在内的新朋友，艾略特更是和帅气的乐队成员一见钟情。当中餐馆因经营不善面临歇业危机时，这群充满爱的人能否在一起创造惊喜？
暂无简介
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
影片由六个风格迥异的故事组成，讲述一群人在除夕当日发生的一连串奇遇囧事。 在新年的前夜，或是团聚、或是旅行，人们选择不同的方式度过这充满仪式感的时刻，而剧中的主角们却在旅程中遭遇着各种意外，有被逼婚的、有流落异乡的、也有暴发户装逼遭“雷劈”的。在一串令人爆笑的旅程意外后，人生的答案充满希望的出现在他们面前，在笑泪相伴的故事背后，却是充满真挚情感的惊喜。
十八集电视连续剧《唐玄奘》严格尊重历史，再现了唐僧西天取经的历史真实，不仅完整地展现了他取经的艰辛，还真实地再现了他译出了上百部佛教典籍，带出了包括东南亚诸国在内的上百名佛教高徒。使得佛教禅宗在东南亚和中国兴盛起来，他的贡献，他的影响，远远超出了佛教，超出了国界，也超越了历史。
英国海军的德文郡号军舰在中国领海内被遭到不明鱼雷攻击沉没。为了查明情况，英国海军决定动用武力，派出军舰前往出事海域进行反击。然而却被秘密情报负责人M（朱迪·丹奇 Judi Dench 饰）阻止，并派出代号007的情报员詹姆斯·邦德（皮尔斯·布鲁斯南 Pierce Brosnan 饰）去查清真正的原因，避免两国之间一触即发的战争。在不断深入的调查中，媒体大亨卡佛（乔纳森·普雷斯 Jonathan Pryce 饰）进入了邦德的视线。而且在卡佛举办的晚宴上，邦德遇上了前女友帕丽丝（泰瑞·海切尔 Teri Hatcher 饰），现在的卡佛夫人。在帕丽丝的帮助下，邦德利用GPS让已出动的英国军舰偏离了航道为自己的调查争取到了宝贵的时间。从卡佛处偷来的设备上，邦德发现了沉没军舰的准确位置，不过在沉船处却与中国女特工林惠（杨紫琼 饰）一起被卡佛擒获。原来，卡佛是想...