该剧讲述了 Fry，一位20世纪的年轻人在30世纪的冒险经历。Phillip Fry是一个纽约市的25岁的比萨饼快递员，他的生活就是每天四处奔波，1999年12月21日他偶然的被冰冻了起来, 当他醒过来时已是1000年以后，他也有了一个开始新生活的机会. 他到行星际递公司找了一份工作, 那个公司主要业务就是为宇宙的各个角落提供现代化的快递包裹服务. 他的同事包括快递运输船船长 Leela, 一个粗暴但可爱的单眼女外星人，还有一个有着很多人类的缺点的机器人Bender。Fry, Leela, Bende
AnelaborateHollywoodretellingoftheBiblestoriesnarratedbythefilm’sdirectorJohnHuston.WeopenwiththeCreationoftheWorldandarriveattheGardenofEdenwithAdamandEve(MichaelParksandUllaBergryd)andcontinueontoCain(RichardHarris)andthemurderofAbel(FrancoNero).Next,wevisitNoah(JohnHuston)andhisarkwithitsspectacularfloodsequence.ThenwecometothestoryofNimrod,KingofBabel(StephenBoyd),theemergenceofman’svanityandtheheightstowhichitcouldaspireifunchecked.FinallywecoverAbraham(GeorgeC.Scott),amysticwhospokepersonallywithGod,aleaderofmen,abuilderofnations,apioneerandawarriorandSarah(AvaGardner).Atthetimesheconceivedherfirstchild,theeventbeingforecastbyanAngeloftheLord.ThreesuchHeavenlyMessengers(allportrayedbyPeterO’Toole)appearedinthecourseofeventswhichbefellAbrahamandSarah.
芬是个棒球高手，他的爸爸妈妈离婚了，芬和妈妈搬离原来的城市并转了学，但每个学校都有个欺凌弱小的孩子，芬就经常被新学校里的同学卢克嫉妒棒球天分而受到欺负。一次被卢克强行拿走手机后，芬悄悄尾随卢克，发现一只被同类霸凌的狗狗，感到同病相怜的芬要求妈妈养狗，遭到妈妈严厉拒绝。芬半夜私自从卢克家中救出了受伤的狗狗，卢克却从窗子边盯着呢……芬给狗狗起名为马歇尔，在给马歇尔洗澡的时候被妈妈发现了……人和狗狗之间总有着一种奇妙的缘分，它们让人内心柔软的时刻，奇迹也可能就这样发生……
阿敏（钱佩怡饰）和父亲相依为命，两人守着位于紫云山半山腰上的一片茶园，这是祖上传下来的家产，亦是父女两人赖以生存的收入来源。每一年，杭州城里的尹家都会来阿敏的茶园里收茶叶，就这样十五岁的阿敏遇见了尹家的大少爷尹逸白（盛翔饰），尹逸白的一举手一投足都令阿敏深深地着迷着，尹逸白离开后，阿敏第一次有了心事。让阿敏没有想到的是，当她再度见到日思夜想的尹逸白时，他身边站着的女人，竟然是尹家的少奶奶，阿敏的一颗心还没有落下，便放空了，十六岁的阿敏第一次品尝到了感情变幻莫测的滋味。还未来得及整顿情绪，战争便开始了，战火绵延燃烧，最终烧到了阿敏的身边。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
别名：Le vent de la nuit (1999) ，海伦是个徐娘半老的家庭主妇，年轻的艺术家保罗是她的情人。海伦深爱着保罗，但不知道保罗爱的是她的思想、身体还是支票簿。在保罗看来，他也爱着海伦，但觉得她过分纠缠且占有欲太强；于是，他想逃脱，有时把海洛因作为逃避手段。一天，保罗遇见知名艺术家塞尔吉，梦想着以后跟他合作。保罗了解到塞尔吉正处困境中：他参加由68年5月罢工引发的学生起义，最后住进了精神病院，妻子也自杀身亡。
本片由Barnabás Tóth执导，卡洛伊·哈伊久克、玛丽·纳吉出演，讲述了1948年至1953年两名大屠杀幸存者，42岁的医生和一个16岁女孩，及其生活的温情故事。
本片由一起车祸而展开，通过一个女人对死去丈夫许下的承诺，并为这承诺一直努力下去，拼搏下去的经历，讲述她在现实生活中，在道德区域里所持有的坚韧、执着、善良的人格品质，以及在面对内心折磨和外界困境时，所展现出的人格的故事，揭示了人与人之间诚信，守诺的传统美德，旨在弘扬人类生活中的真善美。
正义感十足的新人检察官冲野启一郎十分敬仰当初的导师最上毅。经过数年的历练，冲野终于如愿以偿调到东京地方检察厅刑警部，与成为最上麾下的一名得力干将。与此同时，橘沙穗也加入刑警部，成为冲野的事务官，但她真正的身份是卧底，其目的是获取检察官为了争取顶罪而使用非常乃至违法手段的铁证。不久后，一起夫妇谋杀事件将犯罪嫌疑人松仓重生带到冲野面前。松仓是23年前一起花季少女杀人案的嫌疑人，但因缺乏证据无法将其定罪，此案最终过了追诉期。愤恨不已的最上执拗地要将松仓绳之於法，为此他不惜授意冲野拼尽全力朝着预设的方向推进。人性当前，谁也无法保持100%的正义。
一个以交换物品为代价，为人排忧解难的江湖奇人宋飞城，在他的生死阁内存放着人们为达成愿望所交换的眼睛、手、胳膊、甚至是灵魂马大路在虎妞莫名其妙的失踪后，也前往生死阁求助，却意外地在那里见到了久违的楚儿。大路和楚儿早已情根深种，无奈，楚儿和虎妞只能存活一个。宋飞城以解救楚儿姐妹的性命为条件，要挟大路从权倾天下的宁王府中劫持小郡主。大路走投无路，只得应允。机缘巧合之下，善良郡主答应随大路前去见宋飞城。然而，宋飞城另有所图，他所做的一切都是为了挽回三十年前犯下的弥天大错。
国际特种部队间谍吉姆（西恩·潘SeanPenn饰），为了他的爱人而想要退出组织，但天不从人愿，就在他完成最后一项“任务”时，为了确保自身安全与公司利益，他必须要人间蒸发匿身他处，与心爱的人从此分开。离开组织在欧洲流亡多年后，吉姆以为能够脱离危险，就此过着平静的生活；无奈人生并非他想像中单纯，在刚果被神秘人物追杀的他，被迫放下所有，展开逃亡。逃亡途中他辗转联系到昔日战友，并寻求他们的协助，却也因此发现追杀行动里暗藏着不为人知的祕密，而现在，唯有找出追杀他的幕后主使，才能给他一条生路……