莉莉（柏安妮 饰）和西西（陈加玲 饰）是一对表姐妹，两人合伙在一间商场里租了一家铺子经营服装店的生意。在开张前夕，西西不小心将店内的镜子打破，于是保安便拿来的地下室里的一面布满了灰尘的镜子做替换。让众人没有想到的是，一名僧人于五年前将一批恶鬼封印在了这面镜子里，如今，封印被打破，恶鬼们重见天日在商场里作为作废搅得整栋大楼鸡犬不宁。 艳桃红是这群恶鬼之首，五年前，她逃脱了僧人的制裁，五年后，她要找当年害死她的一群人复仇，而巧合的是，她要找的，竟然就是西西的前世。艳桃红捉走了西西，将她带到地府。
梁志强宣布将开拍《新兵正传4》，《新4》计划2017年开拍，前面三集的大部分演员都将参与。 梁志强受访时说：“《新兵正传3》反应热烈之后，很多影迷都渴望我们可以尽快开拍《新兵正传4》。“他说第四集将以战备军人为主题，至于属于哪个兵种，他还在与国防部研究，不过大家可以放心的是，不用担心故事会重复，或是与过去三集有相似的地方。
憨厚耿直的宝哥带领乡亲们在城里建筑工地打工，工程因遇到问题停工，宝哥代表乡亲们领了白条回到农村老家。回老家后，来找宝哥要工钱的乡亲络绎不绝，年关将至，宝哥媳妇英子受不了生活压力不辞而别，宝哥无奈踏上了进城讨薪之路。进城后宝哥帮助流浪儿、硬吃霸王餐、巧进洗浴城、救狗撞豪车、意外成歌王，经历了一系列笑中有泪的奇葩遭遇后，宝哥讨回工钱，梦想成真。
内详
《面具》以中共在哈尔滨解放初期的反特行动为时代背景。1948年腊月初一，在哈尔滨潜伏十年的军统特务李春秋（祖峰 饰）突然被唤醒，要求执行“黑虎计划”。李春秋十年的平静生活被彻底打乱，关于信仰的抉择、家庭的责任、情感的归属，极限境遇加之一身，经过一系列惊心动魄的斗智斗勇， 他最终看清了国民党特务机关的血腥残酷，在共产党人的感召下弃暗投明，实现了信仰从忐忑到觉醒的蜕变。
CBS宣布续订《警察世家》第十三季。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
艾德（Brian Presley 饰）、汉瑞（Jake Muxworthy 饰）和菲尔（Rider Strong 饰）是三个来自美国的大学生，又逢周末，青春躁动的大男孩们相约前往美国南部边境寻欢作乐。他们驱车来到到墨西哥北部一个叫曼泽塔的小镇，这里荒凉鬼魅、黯淡无光的景象似乎并未引起男孩们的主意，他们一门心思寻找酗酒以及艳遇的机会。当晚，三个家伙如愿以偿抱得美人归，一夜风流过后却发现，菲尔不见了踪影。艾德和汉瑞四处寻找，毫无下落，连警方也拒绝帮助。他们逐渐意识到，自己已经进入当地人精心编织的杀戮罗网之中……©豆瓣
乡村音乐明星费丝·温特斯（Faith Winters）在公开场合失宠后，在她的德克萨斯州农村家乡寻求庇护，在那里她重新发现了对她的高中恋人当地牧师的感情。 但回家是苦乐参半
王启明（古天乐饰）是一个银行经理，毫无浪漫细胞的他竟然在情人节带着女友Annie（梁咏琪饰）排长队吃火锅，令女友十分生气，感情进入冰冻期。 王启明在网上找到一个爱情顾问欧阳心结（蔡卓妍饰），希望能得到她的帮助，挽回与女友的爱情。当启明知道心结竟是个只有19岁重来没有谈过恋爱的女孩，对她的能力深感怀疑。 这边厢Annie邂逅了两个有妇之夫，都是无法发展感情的人。接着她又遇到了一个商业大亨Victor（甄子丹饰），他有钱有学识，更向Annie求婚，Annie想到自己的男友，左右为难。 启明知道自己的位置受到威胁，在心结的帮助下，寻找了自己的缺乏的东西，启明想到了当年的历任女友，才发觉了自己的错误。 他与女友相约的期限到了，他们在大街上跳了一只舞后各自转身离去，难过的泪流满脸，双双决定回头看看。
该剧用了一个极其简单的词语来作为标题，原本以为它反映的也是生活的琐事，但没想到是一部警匪剧……这部电视剧的主角是遭人诬陷、含冤入狱长达数年的Charlie Crews侦探。在红颜知己、律师Constance Griffiths的帮助下，他终于洗脱罪名，重回警队。Charlie Crews个性复杂，做事不喜欢拘泥于规则，因此一开始与做事严谨、对一切事实都抱有怀疑态度的新搭档总是搞不好关系。但两人联手破获了数起要案之后，对彼此的看法有了本质的改变。两人的上司是一个硬派人物，让两人吃尽了苦头。 燕迹秦清添加。
熊孩子练体操