在脫衣舞俱樂部中，新入職脫衣舞女郎Manon遇上同為脫衣舞女郎的Mia，一拍即合，經常在俱樂部中拍擋作雙人表演。二人曖昧地互相試探，Manon嘗試勇敢面對自己的慾望，Mia則需要處理和男朋友糾纏不清的關係。片中女生激戰連場，看得令人心跳加速！
台北市中心，一个衣衫褴褛的男子李武雄（陈文斌 饰）怀抱着不满10岁的女童（赵祐萱），准备跳天桥自杀，这引起了警方和媒体的围追堵截。在电视机前，很多民众关注着事态的发展。面对警方，武雄口中疾呼“社会不公”，引起了大家的好奇。原来，武雄与前女友同居时育有一女，即他怀抱中的女童，孩子名叫妹仔。后来，前女友改嫁，音讯全无。武雄独立抚养女童，两人相依为命，生活悲惨。为了讨生活，武雄从事了多项高危工作，潜水排污就是其中之一。妹仔到了适学年龄，但是依照法律，法定监护人——即生母和继父才有资格办理手续。武雄虽为生父，却因无法律依据，无法行使监护人的权利，为了妹仔可以如愿入学，武雄踏上了一条艰辛的维权之路…… 本片取材于2003年一则社会新闻，获得第46届金马奖最佳影片、最佳导演、最佳原著剧本、年度台湾杰出电影4项大奖。
1979年，平静的枥木乡间生活着一群不甘寂寞的少年。鬼点子超多的真间查理（市原隼人饰）、好色的不良少年西条（石田卓也饰）、偏差值为0的孝昭（加治将树饰）、迷恋天文的井上（贺来贤人饰）、超级大胃王千叶（肋之弘饰）、颇有女性风采的后辈吉米（富浦智嗣饰）和留级大王迁村（小柳友饰），这七个活宝组成的恶作剧小分队让这个平静得有些沉闷的小镇多了一丝生气。不过他们的好日子很快就结束了，枥木迎来了新的驻警（佐佐木藏之介饰），古板的警察先生和喧闹自在的少年们似乎注定不能相容，他们之间展开了旷日持久的大作战……
讲述了市井青年徐仲基受朋友所托，开车送小女孩去见异地的爸爸，然后在路途中为了多赚钱又接上了捐献者刘袁和主治医生，路上发生一系列磨难，惊险和情感的递增，最终把三个互不相关的人送到了一个地方。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
深受国际影坛瞩目的葡萄牙导演米格尔戈麦斯，继享誉国际的《金色八月天》、《禁恋》后，以长达383分钟的新作《一千零一夜》三部曲，呈现当代葡萄牙的众生相。首部曲《一千零一夜I：不安之人》以天方夜谭中诉说故事的皇后雪哈拉莎德展开，藉由三段故事描绘富人、穷人、强者、鲁蛇、小偷和诚实的人，如何在金融风暴下存活下来。米格尔戈麦斯结合现实主义色彩与冷调幽默的讽刺笔触，犀利批判政府的财政计画，令人大呼精彩。
《心中观世音》是一部解读中国传统文化，宣扬和谐理念的影片。 影片主要讲述了中华民族的观音信仰、普陀山的由来和“和谐济世、扶危济困”的观音文化的演变与传承，诠释了千百年来人们为完善道德品质所追求的目...
影片讲述了海江大学天文学系副教授波受到金三角某监狱的邀请，来到监狱看风水，却秦波却被当做了犯人关押。想要自救的却发现自己是被人陷害入狱，而这个监狱却恐怖至极，频现闹鬼传闻。狱医美琴的出现使他再得机会，与团队里应外合计划越狱，不料危机却越陷越深，美琴的真实身份更是匪夷所思。这段惊险的历程让秦波重拾自我，褪去了原本孤傲自大的心理，在人性交往中悟出了什么才是真正的自我价值 。
早乙女悠里（天海佑希 饰）不仅是个成功的企业家而且是三个伦敦奥运热门候选人的母亲。作为一个主妇的大众偶像，她一直奉行并在电视上推广她斯巴达式的教育理念——“你的孩子是Beautiful child还是Poor child？”性格迷糊可爱的新仓里佳（长泽雅美 饰）被聘用为早乙女悠里新的总裁秘书，并被悠里一针见血的评论说的无地自容。但是这个表面上光鲜亮丽的家庭，却暗地里隐隐出现了分崩离析的隐患。先是上进心强的次子早乙女廉（矢野圣人 饰）突然宣布要退出田径队，从今以后要过自由人生；接着性格最像母亲的长女早乙女晶（武井咲 饰）因为暗恋教练莲见丈治（反町隆史 饰）不成，又被人利用陷入感情危机；让人没料想到的是，连一向最懂事优秀的长子早乙女洸（松坂桃李 饰）因为逃避越来越临近的奥运选拔赛，竟然做出让母亲无法接受的行为。难道悠里一开始就错了？这风雨飘摇的一家人能否...
8月22日 22-23赛季意甲第2轮 亚特兰大VSAC米兰
一个记者偶然发现了一个杀人犯的日记,里面记录了几项杀人计划.经过自己的调查，他发现所有线索都指向一名住在收养院的9岁大的孤儿...