首部IMAX海下立体电影，为拍摄此片，水下摄影师携带重达近4吨的专用装备，下潜到了南澳大利亚和巴布亚新几内亚以及印度洋海域，历时110天、潜水350小时，首次成功采用IMAX 3D 摄影机在水下进行冒险拍摄。3D的视觉效果让观众与地球上最独特、最危险、最色彩斑斓的生物零距离接触，体验一次难得的深海旅行。
天王巨星古宇阳在家中遭人杀害，所有线索指向一位声名狼藉且负债累累的狗仔老大——王伟。 话说王伟当天确是在古宇阳家墙头埋伏偷拍，也似乎拍到了八卦大新闻，按理王伟该狠狠敲诈一笔。可谁也没想到，就在古宇阳出事的当晚，王伟竟然失踪了。 更为蹊跷的是，当人们终于找到王伟时，王伟在车里自杀了。 难道王伟敲诈不成，杀人之后畏罪自杀？ 赵大萌（男主）是王伟的得力门徒，作为一名狗仔，他总想探寻事实真相。师傅王伟的死对大萌来说极为蹊跷，一名职业狗仔何来杀人动机？ 话说赵大萌可不是一般人，他有一只比狗还灵的鼻子，从古宇阳和王伟的尸体身上他找到了四种特殊的气味，其中三种都能找到对应的人选，而第四种气味却极其罕见前所未闻，这个味道属于谁呢？他会不会就是凶手呢？ 呆萌女警刘亚美（女主）是古宇阳的脑残粉，本是去追星却抓到偷藏追踪器的赵大萌。古宇阳的死对她打击巨大，王伟的嫌疑在她看来铁证如山。 然而在赵大萌狗鼻子的推动之下，刘亚美也渐渐发现此事绝非表面看来一般，凶手可能另有他人。但更困扰的是，她似乎已对身边这个契而不舍的烂狗仔芳心暗许…… 顾卓凯（反一）是与古宇阳齐名的天王巨星，就像刘德华与梁朝伟的关系，从小便是同学，是兄弟。然而顾卓凯同样也在事业的各个板块上遭遇了古宇阳的压制，所谓“既生瑜何生亮，千年老二多悲伤”。 好莱坞超级大片来华选角，男一不是顾卓凯就是古宇阳。为了争取机会，顾卓凯来到古宇阳家，看似找兄弟谈心，实则另有谋算……
Zen-GroguandDustBunnies,ahand-drawnanimatedOriginalshortbyStudioGhibli.
内详
故事发生在90年代的小城市。云荞（马思纯饰）想要“活成一部电影”；李麦（钟楚曦饰）有看得见希望的未来；吴风（黄景瑜）也要在平凡的日子里背水一战。每个人都有着对未来的憧憬，带着憧憬开始了异乡漂泊之路，可是未来真的会如他们所愿吗？
《锦衣卫之王者归来》以明代为背景展开故事线，融入武侠、权谋、悬疑、爱情等多重元素，生动形象地为观众讲述了大明年间锦衣卫秦风在皇权斗争中遭遇迫害被迫亡命天涯，尔后为兄弟情义和人间正义重回朝堂，与逆臣贼子殊死斗争并取得最终胜利的故事。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
Serie antológica de seis episodios. Cada una de las seis entregas cuenta con un equipo compuesto por destacados autores, directores e intérpretes. Un proyecto que mezcla distintas disciplinas para crear una fusión excepcional entre las artes escénicas y el audiovisual.
清廷衰落，民国初建，袁世凯称帝失败含恨而终，各路军阀割据混战，民不聊生，各种传说人心惶惶，其中一个就是木乃伊现世，狐妖食人。曹大帅对奇谭鬼怪有着深厚的兴趣。有人上报曹大帅老家——曹家镇出现了木乃伊。一直以为西方才有木乃伊的曹大帅一下子就被吸引住了，带着两个侍卫和有些江湖术法的参谋——史密斯赶往了曹家镇。
女神小姐爱丽丝（Pancake饰）出生在Anasia国，因为预感一场政变的来临，爱丽丝的爸爸被迫送爱丽丝去泰国。男主角丹（Weir饰）从小母亲就去世了，他的父亲娶新妻子之前就有两个孩子。他很爱摄影，并且是一名摄影师。甘是丹的好朋友，同时也和丹的女朋友潘潘（Nichanan Fankaew饰）的哥哥达攀（Jay Jintai饰）是同性恋朋友关系。 为了不让达攀的妈妈发觉，甘特意请求丹扮演自己的男朋友并让达攀的妈妈看见。但也被爱丽丝看到了，她认为他们很可爱，同时觉得丹是同性恋并认为跟丹在一起很安全。另一方面潘潘的妈妈误会丹是同性恋，很吃惊气愤，并借口给潘潘介绍一个有钱的水果罐头厂老板亚坦做潘潘的男朋友。 丹的前辈拜托丹教爱丽丝摄影，丹混乱的生活就这样开始了，就在这样的接触中，爱情之芽在两人的心中慢慢成长。。。一个是温柔的血性男儿，一个以为丹是同性恋，老是...