梵延纳国越境入侵，十九岁的齐王裴衍之临危受命，他浴血奋战扭转战局，却在最终洪谷之战中身中埋伏，全军覆没。死里逃生回到朝堂上的齐王遭到云王追责问罪，兵权被卸。面对云王扶持幼帝登基，暗夺皇权，齐王和小皇帝达成默契，选择暂时退让。自此之后，齐王不再过问朝纲之事，私下化名裴昭，开始游戏人间。实则暗中调查，誓要还当年兵败一个真相。 因调査贩灾银丢失案，裴昭在清水县偶遇明镜
天竹集团董事长昏迷入院，公司新能源项目叫停，董事长千金继位，公司副总刘氏父子为拿到新能源项目和掌控公司请来了国际大盗，同时又假意安排保镖想监视梦涵，梦涵拒绝他们后决定自己找。王小强是个老实而又会些功夫的农民工，在被拜金女友抛弃后开始了自己的奋斗路程，不想却被一个三年不开张的保镖公司老板套路进了保镖公司，正巧他们接到了梦涵助理的电话，要求是他们换个身份去集团秘密保护大小姐。从此这两个二货保镖进入天竹集团，意外破坏了彪哥的计划，不服输的彪哥接二连三未果最终改成绑架，斗智斗勇中小强意外邂逅了梦涵，两人是否能
在电视播音员被视为权威的昔日年代里，朗•伯甘蒂（威尔•法瑞尔WillFerrell饰）是屡屡获奖的圣迭戈王牌播音员，4频道在他的新闻小组的带领下笑傲同行，组内的三个怪家伙只有在朗的身边才能大展拳脚。工作之外，风流成性的朗自然也不会放弃利用知名度勾女，然而一个让他吃瘪的女郎维罗妮卡（克里斯蒂娜•艾伯盖特ChristinaApplegate饰）居然还是新闻部的新同事，众人先后对维罗妮卡展开攻势结果全军覆没，最后朗用狂野的风度征服了冰美人，维罗妮卡与朗的期望不同，这个有强烈事业心的女人开始在工作中崭露头角并挑战朗的地位，一次车祸后，朗的生活迅速变得混乱起来……影片申明“本片根据真实故事改编”。
东欧某国，任浩铭是当地华裔青年，举世瞩目的商界巨子，他名下资产无数、富可敌国，热衷于慈善。阮清恬是身世扑朔迷离的中国女孩儿，她自幼痴迷舞蹈，成年后就读于皇家艺术学院亚洲分院。阴差阳错之下，阮清恬被聘为任浩铭旗下公司的形象代言人，从此两人结下不解之缘，成了一对欢喜冤家。不过，任浩铭的弟弟任浩杰的存在，却始终阻碍着两人感情的发展。任浩杰对阮清恬纠缠不休，并且被一个神秘组织暗中操纵利用，最终不幸丧命。原来，所有的一切，竟然是一个针对任浩铭家族的巨大阴谋。为了调查事实真相，为了保护心爱的阮清恬，任浩铭启用了他不为人知的隐藏身份——东欧某国高级特工。由此，特工总裁任浩铭正式向神秘的邪恶势力宣战。
08年夏天，失踪多年的国宝——金佛，重现在韩国头号黑帮——金氏家族之手。警方在金氏次子正熙（在熙 饰）潜入深圳境内避难时，安排女警吕月月（Angelababy 饰）以全程保护正熙之名追查金佛下落，两人经历了险象环生的黑帮追杀后情愫暗生，导致月月与警察男友薛宇（黄晓明 饰）的关系变得紧张。正熙答应配合警方的行动，却在哥哥正泰的安排下，携金佛潜逃。正熙失踪的日子里，月月与薛宇逐渐重修就好，正熙突然出现将金佛归公，月月陷入在正熙和薛宇之间选择的两难境地……
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
电影《河曲马》是青海广播电视台拍摄的第一部藏语电影。电影《河曲马》以一匹那达慕冠军马的命运为主线，讲述了传统的草原马文化与现代马术文化之间的交流与融合，在展示草原马文化传承与发展的同时，也着意表现了...
精明干练的乔安娜•米尔斯（Sarah Michelle Gellar 萨拉•米歇尔•盖拉 饰）是圣路易斯一家运输公司的销售经理，她的事业蒸蒸日上，前途光明。然而最近她却保守噩梦的困扰，在梦中，她总会目睹一起残忍的凶杀案，这令她备受折磨，疲惫不堪。
本剧改编自张小娴的知名小说《面包树上的女人》，是张小娴“面包树系列”的第一部作品。 从小梦想着来上海的程韵（唐嫣 饰）终于进入上海某知名大学深造，同学朱迪之（隋棠 饰）也随她一起前往，两人和光蕙（刘冬 饰）成为了最好的朋友。光蕙因叔叔婶婶不离不弃的爱而感动，激发她对美好爱情的向往。迪之与邓初（纪焕博 饰）开始了一段浪漫的恋情，而程韵却与一同上课的写歌才子林方文（黄宗泽 饰）因各种误会而矛盾不断，在青春的岁月里彼此心生爱意。一次偶然相遇程韵认识了徐起飞，起飞的热心和体贴让程韵感动不已。程韵的不安全感因为林方文一次又一次爆发，不论是风情画家费安娜、妙龄女郎乐姬还是能歌会唱的葛米儿。迪之则为了爱情不断的追逐，光蕙为了父母渐渐接受孙维栋。程韵和林方文彼此逃离；迪之成全田宏的爱情选择放手，成全他人也成全自己；光蕙在结婚前夕逃婚去找安小禄，为爱奔走。追求爱情的同...
陆云生（吕良伟饰）场面做大，他为人重情义不计开销导致入不敷出，遂计划涉足银行业，岂料上海各银行家集体抗拒。陆请动古羽（苗侨伟饰）协助，终令银行家们低头服输……1937年，政府推行“新生活”运动，陆云生放弃鸦片生意带头戒毒，结果险些丧命，不久卢沟桥事变爆发，陆云生为支持抗战捐赠战机，却仍没有挽回上海沦陷的结局，是役更导致他众多门生身亡。陆云生为躲避日本人暂居香港，期间黄金荣（郑则仕饰）留沪装傻；袁肃军（徐锦江饰）投靠日军成为汉奸，陆云生只得派出阿山（汤镇业饰）刺袁。抗战终于胜利，陆云生有望成为上海市长，让他颇感欣慰，但冷酷的现实是他已失去利用价值，一代枭雄在不属于他的时代渐入穷途……
影片聚焦在安娜的童年、青春以及成年时期的不同阶段，三个重要的人生时刻，都充满了欲望，同时也诠释了她的一生。
Patsakorn（男主）为了继续曾经身为芭蕾舞老师的爸爸的梦想，凭借自己的知识和来自寄养家庭的支持，决定开一间芭蕾舞学校。然而，开业当天却发生了意外，他的养父母和姐姐都遭遇意外去世。Patsakorn极其伤心，不停地责备自己。某天，一个女孩，Waenploy（女主）开始默默支持Patsakorn，而Waenploy正是Patsakorn的发小和P爸爸的学生。从小时候开始，她就爱慕并尊敬着P，尽管P只把她当成妹妹。但这次的归来，Waenploy已经准备好，要帮助爱人成就梦想并最终赢得他的心。