青龙集团董事长过世后，给青龙集团太子爷留下了镇帮之宝：一支可以号令整个青龙集团所有人的大哥大手提电话。一日，太子爷独自去按摩院按摩，青龙公司一群起了异心的小人得到消息后，来到按摩院准备劫持太子爷，夺走可以号令青龙公司上下的大哥大，欲控制整个青龙集团。哪知阴差阳错将身怀太极推拿绝技、胸有大志，却因低微的工作被周遭人嫌弃的按摩师阿宝当成了太子爷并将其绑架。阿宝乘乱逃出后，去找女朋友阿朵，不料阿朵父亲因欠人钱，被白虎帮挟持，阿宝答应三天内替阿朵救出父亲。阿宝、阿朵以及真正的太子爷策划了一场一箭双雕的好戏，却上演了一场又一场啼笑皆非的“闹剧”，一边是青龙集团错认阿宝为太子爷，一边是阿宝错认为这是未来老丈人的考题，将青龙集团上下骗得团团转。阿宝和阿朵从合作布局，到产生误会，到合力救出阿朵的父亲，磨难重重，考验不断。剧情跌宕起伏、搞笑逗逼，按摩师阿宝更是成为了承载底层小人物英雄情怀以及忠贞爱情的一代了不起的“按摩侠”！
电影名称：为了和平导演：黄佐临编剧：柯灵摄影：许琦录音：张福宝美工：丁辰作曲：瞿希贤化妆:达旭导演:俞仲英副制片主任：祝宏纲伴奏:上海乐团交响乐队指挥:黄贻钧上映：1956年颜色：黑白片长:3202米语言:汉语普通话类型：剧情片主要演员：赵丹....江浩白杨....丁孟辉任申....江思凌冯笑....江思远徐明....江思秀齐衡....杨建袁之远....金校长秦文....万方舒适....霍克斯陈述....宋锡庚郑敏....特务头目剧情简介：1941年12月8日，太平洋战争爆发，日寇进占了上海租界。美国教会所办的东华大学将被接收。校方召开紧急会议，商讨对策。教授江浩提出停办学校，免为日寇利用，并在上最后一课时，鼓励学生为民族生存而斗争。不久，江浩在家中被捕，临别时，将挂表交给长子思凌，要他永远记住这个时刻。不久，思凌奔向大后方参加抗战。江浩的妻子丁孟辉，带着次子思远、幼女思秀度过了漫长的岁月。1945年8月，抗战胜利。江浩出狱后，夫妻二人认为从此可过和平幸福的生活，不想蒋介石在美帝国主义的支持下疯狂发动内战。思凌来信告知他被迫开赴东北打内战。江浩虽又回到学校执教，但生活非常艰难。由于他仍认为美帝国主义是讲民主的，学生们对学校当局应“先礼后兵”，结果与积极领导学生举行罢课斗争，要求民主自由的思远发生冲突。教会代表美国人霍克斯，为压制学生爱国运动，企图让江浩在学生中进行劝导，但被拒绝。训导长宋锡庚为了向霍克斯献媚，提议开除领导罢课的学生，并将他们的照片和材料交给特务机关。全国掀起“反内战、反饥饿”的热潮。上海各大学积极响应，江浩也参加游行。反动政府出动军警特务镇压，思远当场被捕，丁孟辉被打伤。从此，江浩看清反动派和美帝国主义的本质。在好友共产党员杨建的帮助下，改变过去的态度，积极投入革命斗争。在社会舆论的压力下，思远等无辜被捕学生被释放。思远与同学万方奔向解放区。同一天，江浩去一个工人联谊社讲演，回家途中被特务杀害。丁孟辉万分悲痛，她决心继承丈夫遗志，勇敢地生活下去。1949年5月，上海解放，思远和万方随军回到上海，母子团聚。思远复员后在铁路工作，思秀在医院里服务，丁孟辉从事教育工作。不久，朝鲜战火重燃。思凌突然回来，告诉母亲他马上要去朝鲜前线。思远和思秀也决定到前线去服务。丁孟辉经过一场内心斗争后，答应让兄妹三人一齐去朝鲜。最后是杨建说服思秀留下在上海军医大学工作。为了祖国，为了和平，丁孟辉，这个光荣的母亲献出了自己的一切，人民选她当了人民代表。
本片以伪纪录片的形式，重现了某知名能量饮料厂商的一次失败的病毒营销推广，搞笑至极又讽刺异常。为了避免法律麻烦，影片中将能量饮料的品牌名换成了“DRIB”，但一切看似荒诞的情节却都真实发生了。“DRIB”的市场团队请因挨打而在youtube走红的阿米尔为他们拍摄一只广告。他们请来了专业拳击手来和阿米尔对打，结果却令他们大跌眼镜。
采花贼楚三少在吉祥镇犯案之后，被高官庇护，逍遥法外。柳昊辰一怒刺杀了楚三少，结果暴露了真实身份。一直追杀柳昊辰的杀手组织首脑带人来到吉祥镇，柳昊辰也恢复了记忆，四侠联手对抗杀手组织并取得了胜利。
这部纪录片采访了表演者、活动家和前雇员，探讨了Pornhub这家最富盛名的成人娱乐平台的成功与丑闻。
健太郎是一个孤独的年轻人，有一天被公司解雇的他独自去喝闷酒，却不小心招惹上小混混。他在躲避的过程中误入了一个废墟，看见了一个穿着水手服的人偶少女，突然，少女睁开眼睛并且解救了他。之后，健太郎把少女带回家并开始了奇妙的同居生活。人气写真模特佐佐木心音在片中饰演人偶少女，并将全裸出镜。
怀孕的女主角与丈夫搬来一间闹鬼的房子，但这种灵异现象似乎只有女主角才发现。导演Keeling两兄弟对于人物情绪、镜头感与整体氛围都拿捏得相当不错
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
李美晴（赵奕欢 饰）在创业期间结识了名为江海（陈锐 饰）的大叔，江海在事业上给予了李美晴很多的帮助，在此过程中，李美晴渐渐爱上了江海。李明哲（吴克群 饰）本是衔着金汤匙出生的千金大少爷，和好友陆天铭（万里 饰）、阿杰（多亮 饰）、黄真真（商侃 饰）等人享受着无忧无虑的校园生活。哪知道小妈的贪婪导致父亲的公司濒临破产，一夜之间，他必须从不学无术的纨绔子弟成长为能够肩负责任的霸道总裁。
When ex-police officer Tom hears news of the abduction of Julie Delaney, he leaves his partner Sam and their beautiful coastal home and heads straight to the crime scene.
该片讲述了一对恋爱七年的年轻恋人，在准备结婚的前几天，一场无名火烧碎两人的梦，两人决定以举办一场网络婚礼视频直播洞房花烛夜为由头，以吸引各类厂商赞助而搏得“贪财”的岳母支持，至此，一场啼笑皆非地婚礼轰轰烈烈地展开。
收录于BD和DVD第四卷中的新作OVA，名为“我家的女仆真的是很烦啊……”。