少女丁小小误打误撞来到漫画世界，从白民城秘地醒来，竟发现自己的身份是城主婢女裴霜仪。在躲避卫士抓捕时，裴霜仪结识了城主萧亦，相处过程中俩人每天形影不离，而萧亦也在裴霜仪的感染下渐渐放下戒心。
内详
近未来，可怕的丧尸病毒蔓延全球，数以万计的平民遭受感染，许多人失去了生命，许多人化身为嗜血如命的活死人，也有许多人从此得到尴尬的身份。农夫韦德（阿诺·施瓦辛格 Arnold Schwarzenegger 饰）忧心忡忡地开车驶向位于隔离区的医院，他的女儿麦琪（阿比盖尔·布蕾斯琳 Abigail Breslin 饰）不久前被送到这里。麦琪遭到了丧尸的攻击，从而感染病毒。虽然离完全变成丧尸还有一段时间，但是她的悲剧命运似乎就此注定。韦德取得院方的同意，带女儿回到了家中。熟悉的环境和气息，对麦琪来说却平添了几多忧伤与烦恼。她与家人的维系不断，然而那距离正一点点地来开。 时间流逝，麦琪身上生的气息不断消逝，死亡的味道与日俱增，她和彼此深爱的亲人终将迎来痛苦的诀别时刻……
刚毕业的医学院学生保本（加山雄三 Yuzo Kayama 饰），在父亲的介绍下，来到穷乡僻壤的小石川诊所实习他的老师是一位被称作红胡子（三船敏郎 Toshiro Mifune 饰）的古怪医师。起初，向往长崎的保本对这个贫民窟厌恶之极，并迁怒于红胡子，觉得自己受骗上当，无用武之地。 红胡子是这里远近闻名的杏林高手，他没有对保本提什么要求，而是默默地行医，不畏权贵，不计酬劳，手下治愈的病人不计其数，其中包括因受虐精神失常的少妇（香川京子 Kyôko Kagawa 饰），因酗酒导致半身麻木的醉汉，因被贩卖至青楼身患性病的雏妓等等。在协助红胡子救死扶伤的过程中，保本逐渐发现了医德的重要，并修正了自己的人生态度……
在美国的传说中，孩子要把换掉的牙齿放到枕头下，当他们睡着后牙仙会来拿走牙齿，如果这时孩子不慎看到牙仙的脸，他们就将被残忍杀死。 小男孩凯尔（Joshua Anderson 饰）刚刚掉落最后一颗乳牙，牙仙的传说吓得他无法安然入睡。当晚他从梦中突然醒来，看到了牙仙带着面具的狰狞面孔。他逃跑时打翻蜡烛，火苗烧到牙仙的眼睛。接下来惨剧发生，凯尔的母亲（Rebecca McCauley 饰）被愤怒的牙仙残忍杀害。次日警方勘查现场，一致认定凯尔是杀母凶手。12年后，离开监狱的凯尔（Joshua Anderson 饰）半岛拉斯韦加斯，他无论走到哪里都随身带着蜡烛，睡觉的房间夜晚必定灯火通明。所有的人都认为他是疯子，但凯尔知道，怀恨在心的牙仙十几年来无时无刻不在谋划夺取他的性命……
拥有倾城之姿的金乌城七公主沈沁不愿成为维稳政局的工具，出嫁前夕与城中神秘当铺掌柜十七达成交易，以美貌换取一个全新的身份。可沈沁万万没想到十七竟是江湖第一杀手，而她偏偏与这个杀手换了脸。沈沁原本以为可以获得恣意洒脱的人生却因为十七的仇家四处逃亡，而十七却是另有目的以沈沁的面容嫁进了将军府。再一次走投无路的沈沁以七公主侍女的身份进入将军府赖在假公主十七身边寻求庇护，而看似安全的将军府中更是危机四伏，为了不让两人换脸的秘密败露，沈沁与十七互助度过难关。可随着十七揭开将军府中最大的秘密，沈沁发现了十七真正的身份，而此时她们已无法各归各位......
警视厅检举率第一位的冷面女警雪平夏见（篠原涼子饰）如今在北海道西纹警署刑事科供职，并与上司一条道孝（佐藤浩市饰）展开新的恋情。与此同时，东京方面接连发生三起射钉枪杀人事件，最终的矛头全部指向了雪平的前夫佐藤和夫（香川照之饰）。岂料佐藤就在与雪平见面不久后也惨遭杀害，雪平则意外成为嫌疑犯。为探求真相，雪平假意劫持来自东京的检察官村上克明（山田孝之饰），并最终联合一条以及三上薰（加藤雅也饰）联合展开调查。而关于藏有巨大机密的USB，其谜团也久久未曾揭开……本片根据秦见日子的同名原著改编，是TV版的第二部剧场版。
故事发生在二十世纪三十年代。富家千金慕佩芸（叶全真饰）出游遇险，被大学生叶耀华（谢祖武饰）相救，暗生情愫的佩芸央爹爹慕天宏（李铁军饰）将自己许配给耀华。但芸父要她嫁给门当户对的莫立群（王灿饰），佩芸不允，阴险的莫立群差人在佩芸订婚当日制造车祸，殃及了搭车的邹平维老师一家人。心生怜悯的耀华时常看望顾照因车祸受伤的邹妻方茹涵（董璇饰），被莫诬为二人有暧昩关系，不明真相的佩芸嫁给了莫立群。茹涵闻讯大惊，她拖着患重病的身体前往解释，不料途中病发身亡，其夫也以身殉情。耀华悲痛欲绝，他承担了抚养父母双亡的孤女筱蝶（陈文婷饰）的责任。多年后，长大成人的筱蝶爱上了耀华，一直暗恋立群的采薇（战鹤文饰）则唆使立群与佩芸离婚，又一场阴谋开始了......
The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus (The Church Is an Old House), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
许多年前，亚特兰蒂斯女王（妮可·基德曼 Nicole Kidman 饰）和人类相知相恋，共同孕育了爱情的结晶——后来被陆地人称为海王的亚瑟·库瑞（杰森·莫玛 Jason Momoa 饰）。在成长的过程中，亚瑟接受海底导师维科（威廉·达福 Willem Dafoe 饰）的严苛训练，时刻渴望去看望母亲，然而作为混血的私生子这却是奢望。与此同时，亚瑟的同母异父兄弟奥姆（帕特里克·威尔森 Patrick Wilson 饰）成为亚特兰蒂斯的国王，他不满陆地人类对大海的荼毒与污染，遂谋划联合其他海底王国发动对陆地的全面战争。为了阻止他的野心，维科和奥姆的未婚妻湄拉（艾梅柏·希尔德 Amber Heard 饰）将亚瑟带到海底世界。