23-24赛季德甲第12轮：弗赖堡vs达姆施塔特

暂无简介

午夜恐怖：6夜

일본을대표하는젊은연기파여배우‘사쿠라바나나미(桜庭ななみ)’,그녀가한국형K-라이프호러영화

杀掉我

故事的男主角是一位不解风情、从未有过恋爱经历的王老五杀手；女主角则是历经情海风波，与相恋7年男友分手的失意女。失意女因爱情受创，决定自行了断，却自杀三次都未果。于是，她决定雇佣一位职业杀手来结果自己的性命…… 这是一部以杀手为题材的爱情喜剧。买凶杀人，雇主就是目标，杀手将何去何从？爱情又从何而来？

你与我和我

　　1999年，一对双胞胎姐妹情窦初开，在一次互相冒充身份为对方考试时，认识了少年马克，帅气阳光的他同时拨动了两姐妹的心弦。本片是双胞胎导演宛薇·洪维瓦塔娜和薇婉·洪维瓦塔娜共同编导的长片处女作，灵感源于她们的个人经历。她们将少女即将迈入的青春期与全球面临的“千年虫”互文，透过时间门槛，暗喻这对姐妹在家庭、友情、爱情方面即将面临的考验，抒写一曲青涩三角恋的清新小调。新人演员泰蒂娅·吉拉庞恩斯普一人分饰两角，毫无破绽地刻画了这对迥异性格的双胞胎姐妹银幕形象。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

青蛙总动员

青蛙家族生活在风景如画气候宜人的大沼泽中，它们在这里世代繁衍，过着平静而又幸福的生活。然而，某一日，一群不知道从哪里来的牛蛙现身沼泽之中，打破了笼罩在这里的和平，在激烈的交战中，青蛙小黑萌（吉静 配音）不幸和妈妈走散。　　人类想要在沼泽旁边建造一间工厂，这势必会对沼泽的生态带来毁灭性的打击，为了生存下去，青蛙家族决定举家迁徙，寻找新的家园，小黑萌亦被裹挟在庞大的队伍之中，向前进发。在此过程中，小黑萌不仅仅要面对周围频发的意外和危险，还要找到妈妈的下落回到妈妈的身边，面对虎视眈眈的敌人和飘忽不定的命运，小黑萌最终能够完成这艰巨的任务吗？

上升2021

A young environmentalist wakes, trapped, kidnapped in the elevator of a super high-rise building at the mercy of her tormentors

爱丽丝之歌

面上始终看不到笑容的女孩爱丽丝（櫻衣はる 饰），当初为了改变自己选择唱歌，不过多年过去她始终是个马路歌手，离成名的梦想相去甚远。好友加奈子（丹波真梨奈 饰）也是一名草根歌手，对方无时无刻不给她以鼓励，小人物也只能在寒冷的角落互相舔舐伤口，依偎取暖。在某次演出中，他的才华终于得到大型唱片公司凯撒音乐制作人五木田匡树（那波隆史 饰）的赏识，五木田对爱丽丝青眼有加，他终于给了这个迷茫的女孩一个实现梦想的机会。在朝着梦想前进的道路上，男朋友、好友都与之渐渐疏远，成功的道路上也许注定要失去什么……

天蛛地灭

美国政府秘密研制的生物武器,巨型蜘蛛"母锁",在联邦号航天飞机上进行注入外星人DNA试验的时候遭遇太阳风暴,发生事故。航天飞机坠毁在地球,"母锁"在很短的时间内变异为高达9米的巨型蜘蛛,四处攻击人类。政府官员玛费和大学生记者马西冲破政府想要隐瞒事实的重重阻挠,不仅向公众披露了政府的所作所为,而且成功地消灭了为害人间的巨型蜘蛛。

霸王花

缉毒队长陈光明（林瑞阳饰）在新婚之日遭遇毒王陆雨（孙兴饰）陷害，被捕入狱，台北警方为捉捕毒王归案，决定成立女子特警队，王玲为夫洗冤，请命出任女子特警队，王玲为夫洗冤，请命出任女子特警队队长，率警员小不点（李赛凤饰）等，与毒王展开了善与恶，邪与正的殊死较量。警方发现陈光明被冤，派其出任卧底，以收集毒王罪证。 　　毒王设计接近女警刺探警方消息，骗取了女特警洪美云（萧蔷饰）的好感，为此洪美云坠入情网，在理智与情感之间，她该如何选择……陈光明在搜寻证据过程中，身份暴露，不幸殉职，更加激起女子特警队员抓捕毒王归案的决心。

山门

围绕着民国末年时期社会动荡，女主人公“清月”原本生活在清净的世俗之外，然而当踏进向往的红尘时，世俗的阴险狡诈，让这个不懂人心叵测的女人，无力自保，背上了谋杀丈夫的罪名，山上的世外空门与山下的凡尘纠纷，一门之隔，然而却是两个世界

逃跑新娘2017

开出租车的大龄青年高天扬阴差阳错的拉着在婚礼现场临阵脱逃的任鹭踏上了去往理想中的乌托邦——99号公路的旅途两人经过种种磨难，终于到达目的地。这时，两人发现之间情愫越积越多，最终，两人排除万难，有情人终成眷属。